Results for 'Marcelo Vieira Lopes'

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  1.  3
    Pessimismo Como Postura: O Elemento Afetivo da Tese Do "Pior Dos Mundos Possíveis".Marcelo Vieira Lopes - 2019 - Voluntas: Revista Internacional de Filosofia 10 (2):82.
    O objetivo geral deste trabalho é abordar a tese pessimista encontrada na filosofia de Arthur Schopenhauer a partir da noção de postura. Nesta abordagem exponho os traços característicos de sua metafísica da Vontade e a implicação para a avaliação deste mundo como o “pior dos mundos possíveis”. Em seguida pretendo abordar a ligação entre filosofia e temperamento, a partir de alguns vieses identificados em alterações afetivas, bem como avaliar como ocorre essa ligação na filosofia pessimista de Schopenhauer. Após essa análise (...)
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  2.  4
    Fenomenologia da Enfermidade.Marcelo Vieira Lopes - 2019 - Filosofia Unisinos 20 (1).
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  3.  44
    BALABAN, Marcelo. Poeta do Lápis. Sátira e política na trajetória de Angelo Agostini no Brasil Imperial . São Paulo: Editora da UNICAMP, 2009, 469p. [REVIEW]Aristeu Elisandro Machado Lopes - 2010 - Dialogos 14 (2).
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  4.  11
    Contra o Fanatismo: Algumas Idéias Do Padre Vieira.Marcos Antonio Lopes - 2007 - Dialogos 11 (3).
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  5.  5
    Appellate Court Modifications Extraction for Portuguese.William Paulo Ducca Fernandes, Luiz José Schirmer Silva, Isabella Zalcberg Frajhof, Guilherme da Franca Couto Fernandes de Almeida, Carlos Nelson Konder, Rafael Barbosa Nasser, Gustavo Robichez de Carvalho, Simone Diniz Junqueira Barbosa & Hélio Côrtes Vieira Lopes - forthcoming - Artificial Intelligence and Law:1-34.
    Appellate Court Modifications Extraction consists of, given an Appellate Court decision, identifying the proposed modifications by the upper Court of the lower Court judge’s decision. In this work, we propose a system to extract Appellate Court Modifications for Portuguese. Information extraction for legal texts has been previously addressed using different techniques and for several languages. Our proposal differs from previous work in two ways: our corpus is composed of Brazilian Appellate Court decisions, in which we look for a set of (...)
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  6.  49
    “Return” and Extension Actions After Ethnobotanical Research: The Perceptions and Expectations of a Rural Community in Semi-Arid Northeastern Brazil.Ulysses Paulino de Albuquerque, Luciana Gomes de Sousa Nascimento, Fabio José Vieira, Cybelle Maria de Albuquerque Duarte Almeida, Marcelo Alves Ramos & Ana Carolina Oliveira da Silva - 2012 - Journal of Agricultural and Environmental Ethics 25 (1):19-32.
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  7.  53
    “Return” and Extension Actions After Ethnobotanical Research: The Perceptions and Expectations of a Rural Community in Semi-Arid Northeastern Brazil. [REVIEW]Ulysses Paulino de Albuquerque, Luciana Gomes de Sousa Nascimento, Fabio José Vieira, Cybelle Maria de Albuquerque Duarte Almeida, Marcelo Alves Ramos & Ana Carolina Oliveira da Silva - 2012 - Journal of Agricultural and Environmental Ethics 25 (1):19-32.
    The scientific community has debated the importance of “return” activities after ethnobiological studies. This issue has provoked debate because it touches on the ethics of research and the relationships with the people involved in these studies. This case study aimed to investigate community perception of an ethnobotany research project that was carried out in the semi-arid region of northeastern Brazil. Furthermore, we reported how the residents of this rural community felt about participating in the activities of “return” that arose from (...)
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  8.  4
    O Mensageiro, o Alcorão E o Sagrado: Alguns Apontamentos a Partir da Ciência da Religião.Marcelo Lopes - 2015 - Horizonte 13 (38).
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  9.  37
    Reconnaissance, critique sociale et politique: Entretien de Gonçalo Marcelo avec Emmanuel Renault.Gonçalo Marcelo & Emmanuel Renault - 2011 - Études Ricoeuriennes / Ricoeur Studies 2 (1):134-149.
    Au cours de cet entretien, Emmanuel Renault nous offre un aperçu de la manière dont la thématique de la reconnaissance est traitée en France aujourd’hui, notamment à travers le renouveau des études sur Hegel et Marx. Il explique la façon dont la reconnaissance a pu s’ériger en paradigme (en dépit de ses usages multiples et variés en France comme ailleurs), au cours de la dernière décennie et le rôle joué par Axel Honneth dans ce procès. Finalement, il explicite sa manière (...)
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  10. Les Arts et les images: Dialogues avec Dominic McIver Lopes.Dominic McIver Lopes & Laure Blanc-Benon - 2019 - Paris, France: Sorbonne Université Presses.
    Les Arts et les Images se veut une introduction aux principaux terrains d’investigation de Dominic McIver Lopes, philosophe canadien contemporain, figure incontournable de l’esthétique et de la philosophie de l’art en langue anglaise au cours des vingt dernières années. Il ouvre une réflexion sur les méthodes employées en esthétique et philosophie de l’art aujourd’hui, qu’on soit un philosophe dit « analytique » ou bien « continental », Lopes cherchant à penser le lien entre les deux traditions. -/- À (...)
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  11.  11
    [Recensão a] Mário Vieira de Carvalho, Lopes‑Graça e a Modernidade Musical.Margarida Teixeira Neves - 2019 - Revista Filosófica de Coimbra 28 (55):267-275.
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  12.  20
    Go Social! Replies to Abell and Atencia-Linares.Catharine Abell, Paloma Atencia-Linares, Dominic McIver Lopes & Diarmuid Costello - 2018 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 11 (2):207-234.
    Dominic McIver Lopes’ Four Arts of Photography and Diarmuid Costello’s On Photography: A Philosophical Inquiry examine the state of the art in analytic philosophy of photography and present a new approach to the study of the medium. As opposed to the orthodox and prevalent view, which emphasizes its epistemic capacities, the new theory reconsiders the nature of photography, and redirects focus towards the aesthetic potential of the medium. This symposium comprises two papers that critically examine central questions addressed in (...)
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  13.  23
    The Routledge Companion to Philosophy and Music. [REVIEW]António Lopes - 2015 - Disputatio 7 (40):100-112.
    Lopes_The Routledge companion to Philosophy and Music, by Kania and Gracyk.
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  14.  97
    Understanding Pictures.Dominic Lopes - 1996 - Oxford University Press.
    There is not one but many ways to picture the world--Australian "x-ray" pictures, cubish collages, Amerindian split-style figures, and pictures in two-point perspective each draw attention to different features of what they represent. Understanding Pictures argues that this diversity is the central fact with which a theory of figurative pictures must reckon. Lopes advances the theory that identifying pictures' subjects is akin to recognizing objects whose appearances have changed over time. He develops a schema for categorizing the different ways (...)
  15.  65
    Sight and Sensibility: Evaluating Pictures.Dominic McIver Lopes - 2005 - Clarendon Press.
    Images have power - for good or ill. They may challenge us to see things anew and, in widening our experience, profoundly change who we are. The change can be ugly, as with propaganda, or enriching, as with many works of art. Sight and Sensibility explores the impact of images on what we know, how we see, and the moral assessments we make. Dominic Lopes shows how these are part of, not separate from, the aesthetic appeal of images. His (...)
  16.  30
    Beyond Art.Dominic McIver Lopes - 2014 - Oxford University Press.
    This book offers a bold new approach to the philosophy of art. General theories of art don't work: they can't deal with problem cases. Instead of trying to define art, we should accept that a work of art is nothing but a work in one of the arts. Lopes's buck passing theory works well for the avant garde, illuminating its radical provocations.
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  17. Being for Beauty: Aesthetic Agency and Value.Dominic McIver Lopes - 2018 - Oxford University Press.
    For centuries, philosophers have identified beauty with what brings pleasure. Dominic McIver Lopes challenges this interpretation by offering an entirely new theory of beauty - that beauty engages us in action, in concert with others, in the context of social networks - and sheds light on why aesthetic engagement is crucial for quality of life.
     
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  18.  57
    A Philosophy of Computer Art.Dominic Lopes - 2009 - Routledge.
    What is computer art? Do the concepts we usually employ to talk about art, such as ‘meaning’, ‘form’ or ‘expression’ apply to computer art? _A Philosophy of Computer Art_ is the first book to explore these questions. Dominic Lopes argues that computer art challenges some of the basic tenets of traditional ways of thinking about and making art and that to understand computer art we need to place particular emphasis on terms such as ‘interactivity’ and ‘user’. Drawing on a (...)
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  19.  64
    Narrative and Recognition in the Flesh.Gonçalo Marcelo - 2017 - Philosophy and Social Criticism 43 (8):777-792.
    In this interview, conducted by Gonçalo Marcelo, Richard Kearney recaps his intellectual trajectory, commenting on his early works on imagination and his own narrative style of doing philosophy in order then to make explicit the deep connection between the more recent developments of Carnal Hermeneutics, Reimagining the Sacred and the work done with others in the context of the Guestbook Project. Drawing on some lesser-known aspects of his work, he emphasizes the carnal dimension of recognition and discusses the pitfalls (...)
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  20.  44
    Aurora de uma espiritualidade sem religião: análise dos sem religião a partir da concepção de espiritualidade não religiosa de Marià Corbí.José Álvaro Campos Vieira - 2014 - Horizonte 12 (35):1009-1011.
    VIEIRA, José Álvaro Campos. Aurora de uma espiritualidade sem religião: análise dos sem religião a partir da concepção de espiritualidade não religiosa de Marià Corbi. 2014. Dissertação , Programa de Pós-graduação em Ciências da Religião, Pontifícia Universidade Católica de Minas Gerais, Belo Horizonte.
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  21.  21
    A infecção da alma: um estudo do combate à imoralidade no jornal O Diário no período do Estado Novo.Albert Drummond Lopes - 2015 - Horizonte 13 (37):619-620.
    Dissertação: LOPES, Albert Drummond. A infecção da alma: um estudo do combate à imoralidade no jornal O Diário no período do Estado Novo. 2014. Dissertação , Programa de Pós-graduação em Ciências da Religião, Pontifícia Universidade Católica de Minas Gerais, Belo Horizonte.
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  22.  8
    Aesthetics on the Edge: Where Philosophy Meets the Human Sciences.Dominic McIver Lopes - 2018 - Oxford University Press.
    This book proposes a new methodology for aesthetics, where problems in philosophy are addressed by examining how aesthetic phenomena are understood in the human sciences. Lopes then puts the methodology to work, illuminating the perceptual and social-pragmatic capacities involved in responding to works of visual art, literature, and music.
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  23. Pictures: Their Power in Practice.Dominic McIver Lopes - 2018 - In Jérôme Pelletier & Alberto Voltolini (eds.), The Pleasure of Pictures: Pictorial Experience and Aesthetic Appreciation. London: Routledge. pp. 36-51.
    What are pictures good for? “Nothing” recurs as the apparently irrepress- ible reply of a motley collection iconophobes from Plato to the mediaeval iconoclasts, to parents concerned about comic books, to postmoderns in a lather over “scopic regimes”. In the aftermath of Nelson Goodman’s Languages of Art (1976), philosophers doubled down on theories of depiction and pictorial experience, but they have not rushed to work on the value of pictures. Those few who have written about pictorial value have taken for (...)
     
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  24. A disciplina química: currículo, epistemologia e história.Alice Ribeiro Casimiro Lopes - 1998 - Episteme 3 (5):119-142.
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  25.  54
    Striving for Legitimacy Through Corporate Social Responsibility: Insights From Oil Companies. [REVIEW]Shuili Du & Edward T. Vieira - 2012 - Journal of Business Ethics 110 (4):413-427.
    Being a controversial industry, oil companies turn to corporate social responsibility (CSR) as a means to obtain legitimacy. Adopting a case study methodology, this research examines the characteristics of CSR strategies and CSR communication tactics of six oil companies by analyzing their 2011–2012 web site content. We found that all six companies engaged in CSR activities addressing the needs of various stakeholders and had cross-sector partnerships. CSR information on these companies’ web sites was easily accessible, often involving the use of (...)
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  26.  4
    .Rogério Lopes - 2013 - Kriterion: Journal of Philosophy 54 (128):281-285.
  27. A produção de narrativas digitais: Perspectivas iniciais acerca dos processos de composição.Ana Karoline Saboia de Albuquerque & Iúta Lerche Vieira - 2011 - Quaestio: Revista de Estudos Em Educação 13 (2):p - 127.
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  28.  89
    Information-Seeking, Curiosity, and Attention: Computational and Neural Mechanisms.Jacqueline Gottlieb, Pierre-Yves Oudeyer, Manuel Lopes & Adrien Baranes - 2013 - Trends in Cognitive Sciences 17 (11):585-593.
  29. The Myth of (Non-Aesthetic) Artistic Value.Dominic McIver Lopes - 2011 - Philosophical Quarterly 61 (244):518-536.
    Art works realize many values. According to tradition, not all of these values are characteristic of art: art works characteristically bear aesthetic value. Breaking with tradition, some now say that art works bear artistic value, as distinct from aesthetic value. I argue that there is no characteristic artistic value distinct from aesthetic value. The argument for this thesis suggests a new way to think about aesthetic value as it is characteristically realized by works of art.
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  30. The Aesthetics of Photographic Transparency.Dominic McIver Lopes - 2003 - Mind 112 (447):434--48.
    When we look at photographs we literally see the objects that they are of. But seeing photographs as photographs engages aesthetic interests that are not engaged by seeing the objects that they are of. These claims appear incompatible. Sceptics about photography as an art form have endorsed the first claim in order to show that there is no photographic aesthetic. Proponents of photography as an art form have insisted that seeing things in photographs is quite unlike seeing things face-to-face. This (...)
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  31. Livro eletrônico, acesso e autonomia: Potenciais e desafios.Miguel Said Vieira - 2011 - Quaestio: Revista de Estudos Em Educação 13 (2):p - 203.
    Este trabalho é uma breve análise do livro eletrônico ― tomado como meio de comunicação relevante para a educação e a cultura no futuro próximo ― centrada nos potenciais e desafios que ele apresenta em relação a acesso e autonomia. A análise visa apontar tendências gerais relativas às características das plataformas de leitura (dispositivos leitores e softwares), particularmente para leitores. Essas tendências são extrapoladas a partir de um pequeno número de exemplos ou casos já existentes. O trabalho avalia as restrições (...)
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  32.  53
    Aesthetic Experts, Guides to Value.Dominic Mciver Lopes - 2015 - Journal of Aesthetics and Art Criticism 73 (3):235-246.
    A theory of aesthetic value should explain the performance of aesthetic experts, for aesthetic experts are agents who track aesthetic value. Aesthetic empiricism, the theory that an item's aesthetic value is its power to yield aesthetic pleasure, suggests that aesthetic experts are best at locating aesthetic pleasure, especially given aesthetic internalism, the view that aesthetic reasons always have motivating force. Problems with empiricism and internalism open the door to an alternative. Aesthetic experts perform a range of actions not aimed at (...)
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  33. Visões de identidade de escritores judeus: O Eu eo Outro1.Nelson H. Vieira - 2008 - Topoi. Revista de História 9 (16):9-29.
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  34. Hearing and Seeing Musical Expression.Vincent Bergeron & Dominic McIver Lopes - 2009 - Philosophy and Phenomenological Research 78 (1):1-16.
    Everybody assumes (1) that musical performances are sonic events and (2) that their expressive properties are sonic properties. This paper discusses recent findings in the psychology of music perception that show that visual information combines with auditory information in the perception of musical expression. The findings show at the very least that arguments are needed for (1) and (2). If music expresses what we think it does, then its expressive properties may be visual as well as sonic; and if its (...)
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  35. A função das sensações no processo de conhecimento segundo Heráclito. Primeira parte: o uso direto das sensações.Celso Oliveira Vieira - 2014 - Archai: Revista de Estudos Sobre as Origens Do Pensamento Ocidental 12:41-50.
    Dividido em duas partes o artigo tem o objetivo de determinar qual a função das sensações no processo de conhecimento prescrito por Heráclito. Essa primeira parte é dedicada ao uso direto dos sentidos, aquele sem nenhum tipo de mediação entre a coisa percebida e quem a percebe. Após o exame de fragmentos abordando principalmente os sentidos do olfato, paladar e tato são encontrados os requisitos para obtenção de uma sensação direta apropriada. Tudo começa na coisa percebida que para ser reconhecida (...)
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  36.  22
    Normative Theories of Rationality: Occam's Razor, Procrustes' Bed?Lola L. Lopes - 1983 - Behavioral and Brain Sciences 6 (2):255-256.
  37. Genre.Brian Laetz & Dominic McIver Lopes - 2008 - In Paisley Livingston & Carl Plantinga (eds.), The Routledge Companion to Philosophy and Film. Routledge. pp. 152-161.
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  38.  83
    Recognition and Critical Theory Today.G. Marcelo - 2013 - Philosophy and Social Criticism 39 (2):209-221.
    In dialogue with his interlocutor, Axel Honneth summarizes the way his work on recognition has unfolded over the past two decades. While he has retained his principal insights, some important parts of his theory have changed. He comments that if he were to rewrite The Struggle for Recognition today, he would focus more on institutions and the historicization of recognition patterns. He clarifies his stance on some contemporary controversial issues, including the crisis of capitalism, gay marriage, and his quarrel with (...)
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  39. Imagination, Philosophy, and the Arts.Matthew Kieran & Dominic McIver Lopes (eds.) - 2003 - Routledge.
    _Imagination, Philosophy and the Arts_ is the first comprehensive collection of papers by philosophers examining the nature of imagination and its role in understanding and making art. Imagination is a central concept in aesthetics with close ties to issues in the philosophy of mind and the philosophy of language, yet it has not received the kind of sustained, critical attention it deserves. This collection of seventeen brand new essays critically examines just how and in what form the notion of imagination (...)
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  40.  78
    Pictures and the Representational Mind.Dominic McIver Lopes - 2003 - The Monist 86 (4):632-652.
    Several recent books indicate that the philosophy of art has embarked upon a new alliance with cognitive science. One impetus for this is the move, beginning in the 70s and 80s, away from general aesthetics to a greater concern with the philosophies of the individual arts. Questions about the nature of art, expression, aesthetic experience and aesthetic properties as generic phenomena are still with us but many philosophers now approach them by means of specialized studies of music, literature, film, the (...)
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  41.  55
    The Ontology of Interactive Art.Dominic McIver Lopes - 2001 - Journal of Aesthetic Education 35 (4):65-81.
  42. Directive Pictures.Dominic McIver Lopes - 2004 - Journal of Aesthetics and Art Criticism 62 (2):189–196.
    Pictures are principally descriptive. Advertising images highlight features of potential purchases; cartoons open portals to scenes in fictional worlds; snapshots in the family photo album remind us of our past selves and landmark events in our personal histories; works of pictorial art express thoughts or feelings about depicted scenes. In addition, pictures serve a directive or action-guiding function that, though not taken into account by theorists, deserves no less attention than their descriptive one. Theories of depiction and the appreciation of (...)
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  43. Art Media and the Sense Modalities: Tactile Pictures.Dominic M. M. Lopes - 1997 - Philosophical Quarterly 47 (189):425-440.
    It is widely assumed that the art media can be individuated with reference to the sense modalities. Different art media are perceived by means of different sense modalities, and this tells us what properties of each medium are aesthetically relevant. The case of pictures appears to fit this principle well, for pictures are deemed purely and paradigmatically visual representations. However, recent psychological studies show that congenitally and early blind people have the ability to interpret and make raised‐line drawings through touch. (...)
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  44.  36
    Pseudofinite and Pseudocompact Metric Structures.Isaac Goldbring & Vinicius Cifú Lopes - 2015 - Notre Dame Journal of Formal Logic 56 (3):493-510.
    The definition of a pseudofinite structure can be translated verbatim into continuous logic, but it also gives rise to a stronger notion and to two parallel concepts of pseudocompactness. Our purpose is to investigate the relationship between these four concepts and establish or refute each of them for several basic theories in continuous logic. Pseudofiniteness and pseudocompactness turn out to be equivalent for relational languages with constant symbols, and the four notions coincide with the standard pseudofiniteness in the case of (...)
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  45.  18
    Performing Competently.Lola L. Lopes - 1981 - Behavioral and Brain Sciences 4 (3):343-344.
  46. Como usar a linguagem para precisar o movimento: uma disputa entre platão e heráclito.Celso Oliveira Vieira - forthcoming - Archai: Revista de Estudos Sobre as Origens Do Pensamento Ocidental.
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  47. Conceptual Art Is Not What It Seems.Dominic McIver Lopes - 2007 - In Peter Goldie & Elisabeth Schellekens (eds.), Philosophy and Conceptual Art. Oxford University Press.
    Hypotheses in aesthetics should explain appreciative failure as well as appreciative success. They should state the general conditions under which people fail to understand and value works as works of art. This stricture is all the more important when the typical response to conceptual art is one of resistance. Some philosophers explain this by claiming that conceptual art violates traditional theories of art. Others say that it violates folk ontologies of art. In fact, the appreciative failure to which conceptual art (...)
     
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  48.  54
    Pictorial Realism.Dominic Lopes - 1995 - Journal of Aesthetics and Art Criticism 53 (3):277-285.
    This paper examines a form of pictorial realism that has epistemic import. Gombrich and Schier claim that some pictures are realistic because they convey accurate information. The difficulty is that judgments of realism vary across cultural and historical contexts. Goodman counters that pictures belong to different systems and realistic pictures belong to familiar systems. However, this does not explain the revelatory realism' of pictures in novel systems. I propose that two views can be combined: a realistic picture is one which (...)
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  49.  60
    Drawing in a Social Science: Lithic Illustration.Dominic McIver Lopes - 2009 - Perspectives on Science 17 (1):pp. 5-25.
    Scientific images represent types or particulars. According to a standard history and epistemology of scientific images, drawings are fit to represent types and machine-made images are fit to represent particulars. The fact that archaeologists use drawings of particulars challenges this standard history and epistemology. It also suggests an account of the epistemic quality of archaeological drawings. This account stresses how images integrate non-conceptual and interepretive content.
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  50.  77
    Pictorial Colour: Aesthetics and Cognitive Science.Dominic McIver Lopes - 1999 - Philosophical Psychology 12 (4):415-428.
    The representation of color by pictures raises worthwhile questions for philosophers and psychologists. Moreover, philosophers and psychologists interested in answering these questions will benefit by paying attention to each other's work. Failure to recognize the potential for interdisciplinary cooperation can be attributed to tacit acceptance of the resemblance theory of pictorial color. I argue that this theory is inadequate, so philosophers of art have work to do devising an alternative. At the same time, if the resemblance theory is false, then (...)
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