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  1.  10
    Making an impression in traffic stops: Citizens’ volunteered accounts in two positions.Heidi Kevoe-Feldman & Mardi Kidwell - 2018 - Discourse Studies 20 (5):613-636.
    When citizens are pulled over by police for traffic violations, they often volunteer accounts for their driving conduct. These accounts convey important character qualities about the citizen, as well as exigencies that motivate officer response. We use the method of conversation analysis to show that where a citizen positions an account in the course of an encounter is subject to different interactional-organizational constraints, which in turn afford citizens different resources for self-presentation. We also show that officers are sensitive to citizens’ (...)
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  2.  6
    ‘Let me tell you about myself ’: A method for suppressing subject talk in a ‘soft accusation’ interrogation.Esther González Martínez & Mardi Kidwell - 2010 - Discourse Studies 12 (1):65-89.
    This article describes interactional features of an interrogation method that is used by law enforcement and private security companies in the US known as the ‘soft accusation’ method. We demonstrate how the method, in contrast to the more common ‘story solicitation’ method, makes use of a ‘telling about oneself ’ activity to actually suppress a subject’s talk by setting up and maintaining an exceptionally long turn by the interrogator. This turn not only constrains subjects’ speaking contributions to the issuing of (...)
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  3.  3
    ‘Calm down!’: the role of gaze in the interactional management of hysteria by the police.Mardi Kidwell - 2006 - Discourse Studies 8 (6):745-770.
    Gaze is a central mechanism for the entry into and coordination of face-to-face interaction. As such, persistent and sustained gaze withdrawal may indicate significant troubles in an interaction. This article examines how two police officers, in seeking to calm a hysterical woman whose grandson has been shot, treat her refusal to gaze at them as a central component of her persisting hysteria. Toward the end of getting the woman to calm down, one officer seeks her return gaze using embedded and (...)
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