Cultural intentions, understood as enabling conditions, some physical and technological, others conceptual and theoretical, make it possible for artists to create the artworks they create. They play an ineliminable role in the mechanism of reference for artifact-kind terms, including "art." Because of the crucial role that cultural intentions play in the mechanism of reference for artifact-kind terms, the reference of such terms cannot be properly understood in the same way as the reference of natural-kind terms, for intentions of any kind (...) do not play a role in the reference of such terms as gold or water. I therefore reject the claim made by Hilary Putnam and others that the mechanism of reference for the two... (shrink)

Perceptually indistinguishable artifacts may be artworks in some cultures but not be artworks in others, and artifacts that were not artworks in the context of their original creation can become artworks in contexts of appropriation, that is, in contexts in which they are brought under a cross-culturally appropriate concept or definition of art. A certain background of historical and cultural conditions, some of them theoretical, is necessary for something to be or to become an artwork. It is crucial to my (...) central claims in what follows that artworks embody culturally significant meanings or can acquire such meanings over time. This plays an essential role in answering the question of whether something is an... (shrink)