Pondo Blues, is a song by Eric Nomvete and the Big Five, a group that came from East London to perform at the Moroka-Jabavu Stadium as part of the 1962 Cold Castle jazz festival. Although the song has acquired symbolic meaning and recognition as one of the 'classics' in South African jazz, prevailing understandings of the song have framed it as a traditional drinking song as well as a song lamenting the Mpondo revolt, where both these understandings have tied it (...) deeply to the rural Eastern Cape. This paper tracks the sonic and social relationships of disarray, change and improvisation that come together to rehearse Pondo Blues across space and time, and atmospheres of history which move us away from iPhondo as the provincial Eastern Cape, which is tied up with the rural, the ethnic, the backward countrified folk and the local towards a more expansive and infinite sense/s of pasts and futures. (shrink)

Originally written as a lecture-presentation for the 2021 South African Society for Research in Music (SASRIM) conference, this text shares our ongoing collaborative study of Born Under the Heat, an album by Johnny Mbizo Dyani. Our research tracks the record(ings) to mark potential pathways for thinking about networks of sociality and solidarity that underpin the production of such politicised cultural work, as well as how we listen to and/or may read it. We trace how the album, recorded in 1983, was (...) born out of festival-gatherings in Lagos, Gaborone and Amsterdam as well as Dyani's memories/remembering of home (from Duncan Village to Dorkay House, perhaps) when exiled in Scandinavia. By reiterating literal and symbolic modes of travel which Born Under the Heat took, as an object and as a concept/project, we aim to explore multiple routes and forms archival, repatriation and restitution projects continue to find in the postapartheid present. (shrink)