- New
-
Topics
- All Categories
- Metaphysics and Epistemology
- Value Theory
- Science, Logic, and Mathematics
- Science, Logic, and Mathematics
- Logic and Philosophy of Logic
- Philosophy of Biology
- Philosophy of Cognitive Science
- Philosophy of Computing and Information
- Philosophy of Mathematics
- Philosophy of Physical Science
- Philosophy of Social Science
- Philosophy of Probability
- General Philosophy of Science
- Philosophy of Science, Misc
- History of Western Philosophy
- Philosophical Traditions
- Philosophy, Misc
- Other Academic Areas
- Journals
- Submit material
- More
Danto's Aesthetic
In Ernest Lepore & Mark Rollins (eds.), Danto and his Critics. Oxford, UK: Wiley‐Blackwell. pp. 232–247 (2012)
Abstract
This article has no associated abstract. (fix it)
Danto's aesthetic, whether truly general human culture, modifications with culture changes Danto, and mainline Western tradition nature of action, as historical, in cultures ancient Greece, India, and philosophical arguments Danto's style of analytic analysis Danto, and philosophical system, essentially Cartesian Danto, on Descartes' philosophy, as a living interest Danto, as essentialist, and historicist visual art, in Danto's Hegelian, embodying meaning
My notes
Similar books and articles
Art as Religion.Richard Shusterman - 2012 - In Ernest Lepore & Mark Rollins (eds.), Danto and his Critics. Oxford, UK: Wiley‐Blackwell. pp. 249–266.
Danto as Systematic Philosopher, or Comme on Lit Danto En Français.David Carrier - 2012 - In Ernest Lepore & Mark Rollins (eds.), Danto and his Critics. Oxford, UK: Wiley‐Blackwell. pp. 13–29.
Danto and Kant.Diarmuid Costello - 2012 - In Ernest Lepore & Mark Rollins (eds.), Danto and his Critics. Oxford, UK: Wiley‐Blackwell. pp. 153–171.
Essence, Expression, and History.Noël Carroll - 2012 - In Ernest Lepore & Mark Rollins (eds.), Danto and his Critics. Oxford, UK: Wiley‐Blackwell. pp. 118–145.
The Beginning of the End.Daniel Herwitz - 2012 - In Ernest Lepore & Mark Rollins (eds.), Danto and his Critics. Oxford, UK: Wiley‐Blackwell. pp. 215–231.
Danto's New Definition of Art and the Problem of Art Theories.Noël Carroll - 2012 - In Ernest Lepore & Mark Rollins (eds.), Danto and his Critics. Oxford, UK: Wiley‐Blackwell. pp. 146–152.
A Tale of Two Artworlds.George Dickie - 2012 - In Ernest Lepore & Mark Rollins (eds.), Danto and his Critics. Oxford, UK: Wiley‐Blackwell. pp. 109–117.
The Sixties.Espen Hammer - 2022 - In Jonathan Gilmore & Lydia Goehr (eds.), A Companion to Arthur C. Danto. Hoboken, NJ, USA: Wiley. pp. 162–169.
Looking beyond the Visible.Carlin Romano - 2012 - In Ernest Lepore & Mark Rollins (eds.), Danto and his Critics. Oxford, UK: Wiley‐Blackwell. pp. 267–282.
Back in Style: A New Interpretation of Danto's Style Matrix.Frank Boardman - 2015 - Journal of Aesthetics and Art Criticism 73 (4):441-448.
The End of Art.Georg W. Bertram - 2022 - In Jonathan Gilmore & Lydia Goehr (eds.), A Companion to Arthur C. Danto. Hoboken, NJ, USA: Wiley. pp. 124–131.
Art and Its Doubles.Gary Shapiro - 2012 - In Ernest Lepore & Mark Rollins (eds.), Danto and his Critics. Oxford, UK: Wiley‐Blackwell. pp. 197–214.
Art as appearance: Two comments on Arthur C. Danto's after the end of art.Martin R. Seel - 1998 - History and Theory 37 (4):102–114.
Danto and Dickie: Artworld and Institution.Michalle Gal - 2021 - In Lydia Goehr & Jonathan Gilmore (eds.), A Companion to Arthur C. Danto. Hoboken: Wiley. pp. 273–280.
Intelligible Beauty.James Shelley - 2022 - Aristotelian Society Supplementary Volume 96 (1):147-164.
Analytics
Added to PP
2023-06-15
Downloads
8 (#1,313,626)
6 months
5 (#628,512)
2023-06-15
Downloads
8 (#1,313,626)
6 months
5 (#628,512)
Historical graph of downloads
PhilPapers logo by Andrea Andrews and Meghan Driscoll.
This site uses cookies and Google Analytics (see our terms & conditions for details regarding the privacy implications). Use of this site is subject to terms & conditions.
All rights reserved by The PhilPapers Foundation
Server: philpapers-web-64dd777598-pjbg5 uwo