72 found
Sort by:
Disambiguations:
David Carrier [72]David Stewart Carrier [1]
  1. David Carrier (2012). Chinese Art: How Different Could It Be From Western Painting? History and Theory 51 (1):116-122.
    ABSTRACTWhen encountering something unfamiliar, it is natural to describe and understand it by reference to what is familiar. Commentary on Chinese landscape painting usually relies heavily upon analogies with Western art. James Elkins, concerned to understand the implications of this procedure, asks whether in seeing and writing about this art we ever can escape our Western perspectives. His problem is not just that he himself does not know Chinese. Even bilingual specialists or native Chinese speakers employ this vocabulary, for the (...)
    Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  2. David Carrier (2011). Andy Warhol: Sublime Superficiality by Tata, Michael Angelo. Journal of Aesthetics and Art Criticism 69 (3):333-334.
    Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  3. David Carrier (2011). The Star as Icon: Celebrity in the Age of Mass Consumption (Review). Journal of Aesthetic Education 45 (2):117-119.
    Aestheticians have tended to focus their attention almost exclusively on high art, on museum painting and sculpture, classical music and literature, and architecture, leaving the popular arts to their colleagues in cultural studies. That seems a big mistake, for like it or not, popular movies and television attract enormous audiences everywhere, including very many people who take little interest in high art. This mass art creates stars, actors, and musicians who are so famous that everyone recognizes them. And celebrities such (...)
    Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  4. David Carrier (2010). Elective Affinities and Their Philosophy. History and Theory 49 (1):139-146.
    Elective Affinities: Musical Essays on the History of Aesthetic Theory collects a selection of Lydia Goehr's recent essays. In them she traces “a history of attraction and reaction … of music to philosophy, drama, birdsong, crime, film, and nationhood” . Goehr examines the ways that philosophers, the ideas that they present, and works of art display “elective affinities”. Her procedure is like that of an art historian who presents parallel slides to reveal visual affinities, even between artists who themselves were (...)
    Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  5. David Carrier (2009). A World Art History and its Objects. Penn State University Press.
    No categories
     
    My bibliography  
     
    Export citation  
  6. David Carrier (2009). Proust/Warhol: Analytical Philosophy of Art. Peter Lang.
    Introduction -- Ch. 1. The search for Proust's and Warhol's sources -- Ch. 2. Dramatically opposed styles of art making -- Ch. 3. Defining art -- Ch. 4. Elstir's studio/Warhol's factory -- Ch. 5. Queer art making -- Ch. 6. The value of art -- Ch. 7. Art fashion -- Acknowledgments -- Bibliography.
    Direct download  
     
    My bibliography  
     
    Export citation  
  7. David Carrier (2008). Constructive Postmodernism: Toward Renewal in Cultural and Literary Studies (Review). Journal of Aesthetic Education 42 (3):p. 122.
    Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  8. David Carrier (2007). How Can Art History Use its History? History and Theory 46 (3):468–476.
    Direct download (6 more)  
     
    My bibliography  
     
    Export citation  
  9. David Carrier (2007). L'estetica di Danto è davvero così generale corne pretende di essere? Rivista di Estetica 47 (35):45-66.
    Translate to English
    |
     
    My bibliography  
     
    Export citation  
  10. David Carrier (2007). Reply to My Commentators. Journal of Aesthetic Education 41 (2):22-24.
    Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  11. David Carrier (2005). Artforum, Andy Warhol, and the Art of Living: What Art Educators Can Learn From the Recent History of American Art Writing. Journal of Aesthetic Education 39 (1):1-12.
    Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  12. David Carrier (2005). Seeing Cultural Conflicts. Journal of Aesthetic Education 39 (3):115-120.
    Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  13. David Carrier (2004). The Beauty of Henri Matisse. Journal of Aesthetic Education 38 (2):80-87.
    Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  14. David Carrier (2003). In Praise of Connoisseurship. Journal of Aesthetics and Art Criticism 61 (2):159-169.
    Direct download (7 more)  
     
    My bibliography  
     
    Export citation  
  15. David Carrier (2003). New York Art, Pittsburgh Art, Art. Journal of Aesthetic Education 37 (3):99-104.
    Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  16. David Carrier (2003). Remembering the Past: Art Museums as Memory Theatres. Journal of Aesthetics and Art Criticism 61 (1):61–65.
    Direct download (7 more)  
     
    My bibliography  
     
    Export citation  
  17. David Carrier (2003). Sublime Poussin. Common Knowledge 9 (1):167-167.
    Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  18. David Carrier (2002). Rosalind Krauss and American Philosophical Art Criticism: From Formalism to Beyond Postmodernism. Praeger.
    Machine generated contents note: Introduction: The Rise of Philosophical Art Criticism 1 -- Chapter 1. In the Beginning Was Formalism 17 -- Chapter 2. The Structuralist Adventure 33 -- Chapter 3. The Historicist, Antiessentialist Definition of Art 55 -- Chapter 4. Resentment and Its Discontents 71 -- Chapter 5. The Deconstruction of Structuralism 87 -- Afterword: The Fate of Philosophical Art Criticism 111.
    Direct download  
     
    My bibliography  
     
    Export citation  
  19. David Carrier (2001). Art Museums, Old Paintings, and Our Knowledge of the Past. History and Theory 40 (2):170–189.
    Art museums frequently remove old paintings from their original settings. In the process, the context of these works of art changes dramatically. Do museums then preserve works of art? To answer this question, I consider an imaginary painting, The Travels and Tribulations of Piero's Baptism of Christ, depicting the history of display of Piero della Francesca's Baptism of Christ. This example suggests that how Piero's painting is seen does depend upon its setting. According to the Intentionalist, such changes in context (...)
    Direct download (7 more)  
     
    My bibliography  
     
    Export citation  
  20. David Carrier (2001). Walter Pater's" Winckelmann". Journal of Aesthetic Education 35 (1):99-109.
    No categories
    Translate to English
    | Direct download  
     
    My bibliography  
     
    Export citation  
  21. David Carrier (1998). Danto and His Critics Art History, Historiography and After and End of Art. Wesleyan University Press.
     
    My bibliography  
     
    Export citation  
  22. David Carrier (1998). Introduction: Danto and His Critics: After the End of Art and Art History. History and Theory 37 (4):1–16.
    In Bielefeld, Germany in April, 1997 an author conference was devoted to Arthur C. Danto's 1995 Mellon Lectures After the End of Art: Contemporary Art and the Pale of History . This essay provides an introduction to seven essays given at that conference and expanded for this Theme Issue of History and Theory. Danto presented his view of the nature of art in The Transfiguration of the Commonplace . He then added in the Mellon lectures a sociological perspective on the (...)
    Direct download (6 more)  
     
    My bibliography  
     
    Export citation  
  23. David Carrier (1996). Gombrich and Danto on Defining Art. Journal of Aesthetics and Art Criticism 54 (3):279-281.
  24. David Carrier (1996). High Art Charles Baudelaire and the Origins of Modernist Painting. Monograph Collection (Matt - Pseudo).
     
    My bibliography  
     
    Export citation  
  25. David Carrier (1995). Poussin's Paintings: A Study in Art-Historical Methodology. Journal of Aesthetics and Art Criticism 53 (3):326-328.
    Direct download  
     
    My bibliography  
     
    Export citation  
  26. David Carrier (1995). Reply to Jonathan Gilmore. Journal of Aesthetics and Art Criticism 53 (4):426-429.
    Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  27. David Carrier (1994). The Aesthete in the City: The Philosophy and Practice of American Abstract Painting in the 1980s. Penn State University Press.
    Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  28. David Carrier (1993). Art and its Canons. The Monist 76 (4):524-534.
    No categories
    Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  29. David Carrier (1993). Principles of Art History Writing. Philosophical Review 102 (2):296-298.
    Direct download  
     
    My bibliography  
     
    Export citation  
  30. David Carrier (1993). The Mind and Its Depths by Richard Wollheim. Journal of Philosophy 90 (7):378-384.
    No categories
    Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  31. David Carrier (1993). Why Art History has a History. Journal of Aesthetics and Art Criticism 51 (3):299-312.
  32. David Carrier (1991). Michael Fried, "Courbet's Realism" and "Realism, Writing, Disfiguration: On Thomas Eakins and Stephen Crane". [REVIEW] History and Theory 30 (3):368.
     
    My bibliography  
     
    Export citation  
  33. David Carrier (1990). Art History in the Mirror Stage: Interpreting Un Bar aux Folies Bergères. History and Theory 29 (3):297-320.
    There are a variety of interpretations of Manet's Un Bar auxFolies Bergères, but there is no genuinely neutral standpoint from which to judge their seemingly opposed accounts. T. J. Clark's analysis involves placing the work in the context of critical commentary by the artist's contemporaries, and examining the exact place and role of the mirror. Just as Manet painted two versions of the picture, so Clark has published two analyses of it; and just as we can ask whether the artist (...)
    Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  34. David Carrier (1989). Book Reviews. [REVIEW] British Journal of Aesthetics 29 (1):84-85.
    Direct download (6 more)  
     
    My bibliography  
     
    Export citation  
  35. David Carrier (1989). Erwin Panofsky, Leo Steinberg, David Carrier: The Problem of Objectivity in Art Historical Interpretation. Journal of Aesthetics and Art Criticism 47 (4):333-347.
    Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  36. David Carrier (1989). "Needs, Values, Truth: Essays in the Philosophy of Value": David Wiggins. [REVIEW] British Journal of Aesthetics 29 (4):370.
     
    My bibliography  
     
    Export citation  
  37. David Carrier (1989). "The Judgment of Sense: Renaissance Naturalism and the Rise of Aesthetics": David Summers. [REVIEW] British Journal of Aesthetics 29 (1):74.
     
    My bibliography  
     
    Export citation  
  38. David Carrier (1989). Winckelmann and Pater, Morelli and Freud: The Tropics of Art Historical Discourse. History of the Human Sciences 2 (1):19-38.
    Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  39. David Carrier (1988). Artwriting. Journal of Aesthetics and Art Criticism 46 (3):437-439.
    Direct download  
     
    My bibliography  
     
    Export citation  
  40. David Carrier (1988). Art's Spectators. Journal of Aesthetics and Art Criticism 46 (3):419-420.
    Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  41. David Carrier (1988). Book-Reviews. British Journal of Aesthetics 28 (1):84-85.
    Direct download (6 more)  
     
    My bibliography  
     
    Export citation  
  42. David Carrier (1988). Gavin Hamilton's Oath of Brutus and David's Oath of the Horatii. The Monist 71 (2):197-213.
    Direct download (6 more)  
     
    My bibliography  
     
    Export citation  
  43. David Carrier (1988). HANS, BELTING, "The End of the History of Art?". [REVIEW] History and Theory 27 (2):188.
    Direct download  
     
    My bibliography  
     
    Export citation  
  44. David Carrier (1988). "The Content of the Form. Narrative Discourse and Historical Representation": Hayden White. [REVIEW] British Journal of Aesthetics 28 (1):84.
     
    My bibliography  
     
    Export citation  
  45. David Carrier (1988). The Truth in Painting by Jacques Derrida. [REVIEW] Journal of Philosophy 85 (4):219-223.
    No categories
    Direct download  
     
    My bibliography  
     
    Export citation  
  46. David Carrier (1987). Ekphrasis and Interpretation: Two Modes of Art History Writing. British Journal of Aesthetics 27 (1):20-31.
    Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  47. David Carrier (1987). Naturalism and Allegory in Flemish Painting. Journal of Aesthetics and Art Criticism 45 (3):237-249.
    Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  48. David Carrier (1987). Piero Della Francesca and His Interpreters: Is There Progress in Art History? History and Theory 26 (2):150-165.
    The existence of conflicting interpretations in literature, history, and art history casts doubt on the ability of any interpretation to be true to the facts. The role of the art historian is complicated by this reconsideration of what is valuable in interpretation. Progress in the history of art is difficult to ascertain. The scope and diversity of twentieth-century criticism of Piero della Francesca's Renaissance frescoes is difficult to compare to his less extensive Renaissance criticism by Vasari. While the antirelativist would (...)
    Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  49. David Carrier (1986). Art and its Spectators. Journal of Aesthetics and Art Criticism 45 (1):5-17.
    Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  50. David Carrier (1986). Book Reviews. [REVIEW] British Journal of Aesthetics 26 (3):84-85.
    Direct download (6 more)  
     
    My bibliography  
     
    Export citation  
1 — 50 / 72