Abstract

This article examines Condorcet's complex relationship with the ideal of perfectibility inherited from Enlightenment philosophy. Condorcet's Atlantis continues and develops More's Utopian ideal ; the horizon for this critical return to Utopia is Europe. In Condorcet the Utopian hope is fulfilled in a definition of Europe as an ethical and political task. The present slogan of the "end of Utopias" seems to us to be incompatible with the will to "build Europe".