Seeing-in as three-fold experience

Postgraduate Journal of Aesthetics 11 (1):18-26 (2014)
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Abstract

It is generally agreed that Edmund Husserl’s theory of depiction describes a three-fold experience of seeing something in pictures, whereas Richard Wollheim’s theory is a two-fold experience of seeingin. The aim of this article is to show that Wollheim’s theory can be interpreted as a three-fold experience of seeing-in. I will first give an overview of Wollheim and Husserl’s theories of seeing-in, and will then show how the concept of figuration in Wollheim’s theory is analogous to the concept of the image subject as the depicted object in Husserl’s theory. I will claim that our experience of non-figurative pictures is a two-fold seeing-in, while that of figurative pictures is a three-fold seeing-in.

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Author's Profile

Regina-Nino Mion (née Kurg)
Estonian Academy of Arts

Citations of this work

Twofoldness and Three-Layeredness in Pictorial Representation.Alberto Voltolini - 2018 - Estetika: The European Journal of Aesthetics 55 (1):89-111.
Image Consciousness and the Horizonal Structure of Perception.Walter Hopp - 2017 - Midwest Studies in Philosophy 41 (1):130-153.

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References found in this work

Painting as an Art.Richard Wollheim - 1987 - Princeton University Press.
Phantasy, Image Consciousness, and Memory (1898-1925).Edmund Husserl - 2005 - Dordrecht, The Netherlands: Springer.
Painting as an Art.Joseph Margolis - 1989 - Journal of Aesthetics and Art Criticism 47 (3):281-284.

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