Abstract

The natural or biological world often provides models of the simplicity, elegance and complex interactivity that we seek to impart to our technologies, buildings and artworks. Within discussions of form, materials or functionality, we look to the world of insects, animals, plants and even our own bodies for solutions and innovation. Though we may work with the organisms themselves, the first step usually involves a rupture of context, a mutation of interdependent being into a discrete object, a model for the extraction of desired characteristics. The reality of embedded wild growth, with its complexity and interrelation, has often been described in terms of infestation or of ‘nature taking over,’ a challenge to our dominance of the world. However, a closer study of this interpenetration of uncontrolled nature within spaces around us reveals our immediate surroundings to be both wilder and more alive than we often presume them to be