Abstract

In the theses published in Voprosy filosofii there is, in my view, one very important question: What changes have occurred in the relations between art and science? Inasmuch as I am a scholar of foreign cultures, permit me to express that question a bit more concretely for myself: What changes have occurred in the West in the interactions between art and science? The question is rather complex, for in responding to it one must always take into consideration the factor of "compression of time" during the RST. Not only scientific discoveries and industrial equipment have begun to obsolesce rapidly but also the notion of the role of science in the social and cultural development of society. Regrettably, the authors of some works published in our country, even in the 1970s, analyzing the relationship between science and art that has come into being in the West, ignore this circumstance. The "ancient" debate between Snow and Leavis, now almost fifteen years in the past, is presented as the most recent stirring in contemporary bourgeois culture. Yet even at that time it was clear that these discussions were to no point and would not lead to a constructive solution of the conflict between the "two cultures": the contradictions had gone entirely too far. Even then the English poet Auden granted that when he encountered scientists he felt like a "shabby scribe who had accidentally entered a drawing room bulging with dukes." This was not any rank-and-file "lyricist," but the famous Auden himself'