John Locke, Personal Identity and Memento

In Mark T. Conard (ed.), The Philosophy of Neo-Noir. University of Kentucky Press (2006)
Abstract
In this paper, I compare John Locke’s “memory theory” of personal identity and Memento (directed by Christopher Nolan). I argue that the plot of Memento is ambiguous, in that the main character (Leonard Shelby, played by Guy Pearce) seems to have two histories. As such, Memento is but a series of puzzle cases that intend to illustrate that, although our memories may not be chronologically related to one another, and may even be fused with the memories of other persons, those memories still constitute personal identity. Just as Derek Parfit argues, perhaps there is no personal identity as such, since only survival (in some degree) matters to us. In Memento, Leonard Shelby is not identity to his former self, but survives to some extent.
Keywords John Locke  Personal Identity  Memory Theory  Derek Parfit
Categories (categorize this paper)
Options
 Save to my reading list
Follow the author(s)
My bibliography
Export citation
Find it on Scholar
Edit this record
Mark as duplicate
Revision history Request removal from index Translate to english
 
Download options
PhilPapers Archive


Upload a copy of this paper     Check publisher's policy on self-archival     Papers currently archived: 9,357
External links
  •   Try with proxy.
  • Through your library Configure
    References found in this work BETA

    No references found.

    Citations of this work BETA

    No citations found.

    Similar books and articles
    Analytics

    Monthly downloads

    Added to index

    2011-05-28

    Total downloads

    105 ( #8,115 of 1,088,782 )

    Recent downloads (6 months)

    12 ( #9,284 of 1,088,782 )

    How can I increase my downloads?

    My notes
    Sign in to use this feature


    Discussion
    Start a new thread
    Order:
    There  are no threads in this forum
    Nothing in this forum yet.