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This paper discusses the interpretation of an important historical document:IGXII, 5, 608, a victory list from Iulis on ancient Keos. Since its discovery in 1883 it has always been described as a chronologically ordered official victory list of Kean athletes who have won at each of the major games. The surviving portion contains one complete list prefixed by the words ‘these won at Nemea’, and preceded by fourteen other names, which must, following the usual order, belong to Isthmian victors. Since (...) the two lists together name two athletes for whom Bakchylides wrote victory songs, Argeios and Lachon, it has long been used as a means of dating the first pair of poems, as well as the victories mentioned on the inscription not celebrated by Bakchylides. More recently, it has been used to fix the death of that poet to just after 452, in spite of a clear reference to him in Eusebios'Chronicleunder the year 431. It is the contention of this paper that this unique victory list has been misclassified and misinterpreted. It is not a chronologically ordered official victory list; it is rather an honorific victory list in which the entries are arranged by decreasing order of importance. This interpretation, and its various repercussions, destroys many of the currently accepted views about the dating of Bakchylides. (shrink)

Any attempt to grapple with the issue of divine behaviour towards men in Aischylos or any other Greek thinker must begin with the question of expectations: what do the gods expect from men, and what, if anything, may men expect in return from the gods? A. W. H. Adkins has I think demonstrated clearly that in Homer at least the defining barrier between mortal and immortal is one of degree, not kind; the gods are gods not because of moral excellences (...) or all-encompassing wisdom, but simply by virtue of their greater power. This power, and the capacity to defend it, is the essence of their τιμή, which they guard as jealously as any mortal γαθός. What is expected of men, therefore, is a healthy respect for divine τιμή, and an avoidance of any action, however innocent, which might seem to lessen divine status. Thus when Hermes in the first book of the Odyssey tells Aigisthos not to kill Agamemnon or to take his wife, he does so qua god, not moral adviser, and Aigisthos' transgression lies foremost in his rejection of that command. In the same way Hesiod's Prometheus offends against the prerogatives and τιμή of Zeus, and is appropriately punished; that he meant well is irrelevant to Hesiod, nor is there any interest in his rehabilitation. Examples in the lyric poets are by the nature of the genre less abundant, but we may certainly note Stesichoros 223 PMG, where Tyndareos' accidental slight of Aphrodite draws down the anger of the goddess on his daughters. Similar too is the fate of the daughters of Proitos, whose boast in Bakchylides 11 that their father is wealthier than Hera brings about their subsequent madness. (shrink)