Abstract

Arthur Schopenhauer is generally known in two ways: as an abrasive misanthrope whose derision of Hegel was thought to stem from professional envy, and as the philosophical progenitor of Nietzsche, who early on could not praise Schopenhauer enough, but later famously distanced himself from his mentor, much as he did from Wagner. Since he was linked with such eclipsing figures, it is not surprising that the caricature of Schopenhauer as the recluse who made a career of spewing venom and spite remains his prevailing image. Those familiar with Schopenhauer or Nietzsches encounter with Schopenhauer, however, know him as a valuable contributor to many recent schools of philosophy and whose thought touched not only Nietzsche but other influential figures in philosophy and psychology as well. Christopher Janaway presents us with a cross section of essays that serve as both an introduction to Schopenhauers main themes and an offering of recent scholarship and interpretation of his work. Janaway, quoting Rudolf Malter, introduces Schopenhauers writings as an explication of a single notion: the world is the self-knowledge of the will. The rest of the text examines the manifold themes in that pithy characterization; not only do metaphysics and epistemology receive their due, but Schopenhauers ethics and aesthetics are exposed as derivative themes from that central claim.