Poetiche E Genealogie Claudel, Valéry, Nietzsche

Naples: Liguori (2000)

Abstract

What is at stake in this counterintuitive reappraisal of such different authors as Claudel, Valéry and Nietzsche is not a poietics of artistic techniques and processes but their style of sensorial and sensitive subjectivation as such. The aim is not a comparative philosophy of art but a genealogy of aesthetic experience. The three authors here considered differ widely in terms of their worldviews and cultural backgrounds. However, they share a similar radical critical view of the Modern and its idols—the cartesian subject, historical progress, the economy of time and memory, the originality of the artist, artistic exceptionalism, etc—as well as a meticulous philological attention paid to the dynamics of how the subject becomes and says itself through a confrontation with the figures of otherness that precede it and haunt it.

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Filippo Fimiani
Università degli Studi di Salerno

References found in this work

Vorrede.[author unknown] - 2018 - In Manuskripte Und Drucke Zur Deutschen Ideologie. De Gruyter. pp. 2-3.

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