Abstract

This article (in German) explores divine activity, human passivity, and the role played by grace in the medieval image-and-verse program "Christ and the Loving Soul". After discussing the historical context and target readers and laying out the story of CMS, I show how this popular piece of late medieval devotional literature expresses complex theological and philosophical ideas that central to understanding the narrative. I argue for a new way of reading CMS that places emphasis on movement and the notion of volitional "turning points" ("Ke(h)rmomente") - a reading that sheds new light on medieval understandings of divine acts of grace and human autonomy.