Abstract

My investigation into the cognitive aspects of landscape description takes as its focus the landscapes that the poet evokes on the Shield of Achilles. Drawing on studies in cognitive psychology I note the extent to which an audience might derive a ‘spatial mental model’ from the topographical or ‘locative’ indicators that the Homeric poet offers. Then I consider the ‘non-locative’ information that the poet conveys about the landscapes of the Shield. In this connection I develop Barbara Tversky's notion of landscape representation as a ‘cognitive collage’. What makes the scenes on the Shield vivid, however, is human presence. Finally, therefore, I draw on enactivist theories of cognition, recently introduced into Classics, which offer a valuable supplementary approach to ‘reading’ and enjoying landscape descriptions in Homer.