Abstract

It is well known that in his “Author's Introduction” (1920) to the “Collected Essays on the Sociology of World Religions” Max Weber grapples with the problem of the cultural specificity of the West. He phrases his inquiry in the following way: Why is it “that in Western civilization, and in Western civilization only, cultural phenomena have appeared which (as we like to think) lie in a line of development having universal significance and value”? He continues to cite a wealth of cultural phenomena — systematic theology, the rational concept, standardized methods of scientific experimentation, rational harmonious music, extensive utilization of perspective in painting, bureaucratic conduct of the organizational sphere, and the systematic rational pursuit of economic affairs — that are unique to the West and illustrative of its self-avowed universality