Jax Teller, Clay Morrow, and the other members of SAMCRO are first and foremost bikers and mechanics who fix bikes. Many bikers experience riding as therapeutic, since a good ride can help a suffering soul to forget the worries of life. Martin Heidegger argues that practical skills, such as the ones Tig needs to repair bikes, are the most fundamental form of knowledge. Many bike owners don't feel confident when they have to do repairs and finally face the dreaded (...) encounter with the un‐ready‐to‐hand. In Zen and the Art of Motorcycle Maintenance Robert Pirsig notes, that many bike owners are afraid to get their hands dirty with engine oil. Caring for a piece of technology is exactly the opposite of treating it instrumentally. As Pirsig explains, even fixing a mechanical problem can become an occasion of participation, unity, and reconciliation with the world. (shrink)

Although Rousseau and his successors may have supplied J.T. with his vision for SAMCRO as a community dedicated to freedom from stultifying social conventions and institutions, it may be Hobbes who can best explain how the Sons of Anarchy lost their way and why their fall into violence was, as J.T. describes it, “inevitable”. Much of the violence the members of SAMCRO commit is motivated by nothing more than this primal instinct to protect oneself and one's “family” from (...) harm. Prudence dictates that SAMCRO delays retaliation until they better understand Zobelle's game. Hobbes's term for this supreme governmental authority is the Leviathan, a name he borrowed from the biblical book of Job. From Hobbes's point of view, J.T. was a Son of Pride before he was a Son of Anarchy, for it was pride that planted in his mind that reckless aspiration for “liberation from shackles and restraint of government”. (shrink)

If SAMCRO can legitimately declare war, then the Sons of Anarchy may still be bad boys, but at least they' are not immoral butchers. The just war theory spells out the criteria that must be met for the use of armed force to be morally justified. They are: Just Cause, Proportionality, Necessity, Right Authority, and Likelihood of Success. To be just, a war must fulfill all six criteria. The chapter presents arguments that suggest, in principle at least, that (...) class='Hi'>SAMCRO does have the authority to declare war against an adversary. The club is not so different from existing political institutions. Like all great television, Sons of Anarchy can teach us a lot about the real world. We do not need to condone everything SAMCRO does. But we should be careful not to condemn everything the club does either, even when it resorts to violence. (shrink)

We can think of the club not as a small business, but as a would‐be “anarchist‐syndicalist commune.” Anarcho‐syndicalism is a kind of anarchism based in labor unions, where workers take control of the economy not through a top‐down government bureaucracy but through revolutionary labor associations called “syndicates. The club resembles just such a syndicate: it's hierarchical, but, unlike capitalist enterprises, it is a democratically governed hierarchy. The state is essentially an instrument of class struggle and will gradually “wither away,” as (...) both the “anarchy” of capitalist markets and the centralized command economy are replaced with socialist anarchism. This chapter portrays the difference between Marxists and classical anarchists such as the French Pierre‐Joseph Proudhon and the Russian Peter Kropotkin, for whom the state should immediately be abolished. SAMCRO seems anarchistic in its principal economic relations, too, with decisions about production, distribution, and labor made by members of the MC collectively. (shrink)

For the Sons of Anarchy Motorcycle Club, Redwood Original (SAMCRO), loyalty to the club's other members is the most important quality in a member. Tig's attempt on Laroy's life is a case of misplaced loyalty, in aid of a murderer and inspired by a lie. Some philosophers are highly suspicious of loyalty, because they see it as focused on something higher than another person or group. Loyalty to fellow members is what the club is and disloyalty to fellow members (...) is a serious threat to its existence. While SAMCRO's punishment for disloyalty is severe, some kind of sanction for disloyalty is required for any club or group to survive. Since loyalty itself does not require any particular act, it does not require an act of wrongdoing. But we can be fairly certain that Tig would agree that loyal brothers are good to have if you ever need an escort home. (shrink)

Our baser instincts are kept in check by our system of laws and the punishments that give them teeth. Without them there would be utter chaos. It is this reasoning that informs the popular association of “anarchy” with “chaos.” Anarchists believe that when freed from the debasing influence of oppressive social and political institutions, individuals will lean toward harmonious co‐existence. SAMCRO's degeneration from what John Teller originally intended does not mean that anarchism is an unrealizable ideal. J.T.'s idealized version (...) of anarchism is certainly seductive as it offers escape from life's constraints and promises a freedom which we all at one time or another long for. The club has become increasingly unworthy of its name‐unless we take “anarchy” in its colloquial sense of “chaos” or “disorder.” Once we understand what being a Son of Anarchy should entail, it is clear that SAMCRO is not living up to its name. (shrink)

Watching Sons of Anarchy, it is easy to get caught up cheering for career criminals and hard not to root for SAMCRO's hijinks. Philosopher Nietzsche believes most philosophers have overlooked “where our good and evil really originated” and thinks we need to investigate this origin before we can assess the value of our reigning moral ideals. It is not the selfless or meek person, but the strong individual and the community that fosters and honors his strength that provides the (...) basis for what Nietzsche calls master morality. The Sons of Anarchy exhibit master morality in ways that challenge our understanding of morality. Their goodness is so different from what we customarily deem to be good. We cannot be sure what Nietzsche's reaction to Sons of Anarchy would have been, but it is possible that at certain moments he would have regarded it as an answer to his prayers. (shrink)

The women of Sons of Anarchy have pivotal, powerful roles in the drama, despite not being official members of the MC. Here we have three images of motherhood: the bad mother (few things are considered worse in our society) who endangers her child, the powerful matriarch who comes to the child's rescue, and the mothering healer who is responsible for keeping Abel alive. While the Mothers of Anarchy, on the surface, have no control, in reality they use their power in (...) the private sphere to influence the public sphere and effect great change, albeit with little public recognition for their efforts. While the traditional masculine and feminine spheres are firmly in place within SAMCRO, with the men making all the decisions about the club's future behind the closed chapel doors, the power this mother (Gemma) wields is monumental. (shrink)

With their charming Irish brogues, the members of the Real IRA bring a rich and sometimes sinister history to the drama of Sons of Anarchy. By discriminating among their targets and practicing military‐like discipline, the Irish Kings gain the status of freedom fighters. Admittedly, their tactics are violent, but groups like the Real IRA resort to violence only because they have no other option for effectively fighting for their political cause. On Sons of Anarchy we usually see the Belfast police (...) who are on Jimmy O's payroll—the ones who harass SAMCRO—but there is evidence that other members of the police force actively support the Crown and have used violence against the Real IRA. Some philosophers have concluded that violence may be legitimate for groups opposing an oppressive regime, but only so long as it does not directly target the civilian population. (shrink)

Sons of Anarchy offers a weekly spectacle of arson, gun‐running, murder, kidnapping, drugs, blackmail, porn, prostitution, and sundry other violent activities, but it's the relationships that really drive the show. Sons of Anarchy exposes the bloody, misshapen core of the human condition. Applying a little Freudian philosophy to these Shakespearean characters can provide insight into some of the core questions raised by this epic television show, such as those on the defiant attitude of protagonists, their engagement in subversive criminal activities, (...) and chain‐smoking. To understand the inner dynamics of Jax's fixation for his mom, we first need to consider the three parts of the human psyche posited by Freud: the Id, Superego, and Ego. While SAMCRO works as an illustration of the Id conflicts among various protagonists manifest the struggle among the three elements of Freud's model of the psyche. (shrink)

Questions of identity involve the attempt to determine what exactly makes a person or thing what it is—what makes Tara Tara or what makes Charming Charming? The chapter analyzes Ricoeur's ideas on personal identity to see if they can help us make sense not only of Tara's identity, but also of how SAMCRO and some of its members maintain their identity across time. Ricoeur describes how we weave the two types of identity, sameness and selfhood, together to form a (...) narrative, a story that allows us to understand how we are able to preserve our identities through time. Narrative identity links up a person's character and the anchor of promise keeping, the practice of keeping one's promises. Finally, the chapter talks life history of John Teller, which is delicately intertwined with the fate of every member of SAMCRO. (shrink)

The solemnity, sacrifice, and concern for the state of the soul portrayed at Opie's funeral seems out of place among anarchists on motorcycles. The chapter analyzes if Opie's wake should be regarded as a religious rite as Sons of Anarchy are not a Christian sect, nor do they belong to any religious body that Americans commonly embrace. The chapter touches upon gender inequality in religious rites, and male bonding that becomes a primary good and maybe even something like a religious (...) duty. German classicist Walter Burkert terms such a group is a Männerbund (or MB), literally an “all‐male society.” The chapter explains the significance of ubiquitous symbol for the Sons of Anarchy MC – the Grim Reaper logo. Like the image of Santa Muerte, the Reaper logo is what scholars of religion call a hierophany. Finally, the chapter talks about the tragic flaws in the faith of SAMCRO. (shrink)

In the final minutes of the Season 3 finale of Sons of Anarchy, it appears that Jax Teller has betrayed the MC and lived up to his nickname: “The Rat Prince.” But it is actually a set‐up to reduce the jail time for SAMCRO members. The life of freedom and camaraderie that J.T. sought when forming the MC became increasingly impossible due to the means he needed to employ to secure the club's success. The social order he founded turned (...) out to be incompatible with the very values he intended for it to foster. Jax's inward struggles offer an accurate depiction of the nuances at the heart of Machiavellian politics. He values the club beyond self‐interest, and his “public‐spiritedness” ultimately redeems his actions. Even as he engages in deceit and violence, Jax expresses sentiments closely aligned with his father's concern for the well‐being of the club and lives its members. (shrink)

Despite the modern trappings the values of the Sons of SAMCRO and their old ladies are even more traditional than those of mainstream society. The parallels between the culture depicted in Sons of Anarchy and the one depicted by Homer's epics make the show philosophically interesting, because moral philosophy in Greece began as a reaction against Homeric values. Just as the Sons bear the Reaper on their cuts, Homeric warriors often decorated their armor with violent images to make clear (...) their status as killers. Those who have drawn blood for the club wear the “Men of Mayhem” patch. There are many ways in which the Homeric heroes outstrip the brutality of SAMCRO. The parallels between SAMCRO's and Homer's conceptions of a good life show us both what is commendable and condemnable about life in the MC. (shrink)

In many ways, the values SAMCRO holds dear reflect those of the “warrior” ethic typified by the heroes of Homer's epics. Such values include positive qualities, and less desirable qualities, such as ruthlessness, brutality, and a drive for vengeance. Greek philosophers, Socrates, Plato, and Aristotle promoted alternatives to these warrior values, some of which may provide a way out of the troublesome life of mayhem that J.T. and Jax seek to leave behind. The desire for freedom is strong in (...) humans. Aristotle believes that friendship is one of the most important things in life. The first kind of friendship is based on enjoying pleasurable things together‐riding Harleys, drinking beers, or whatever a person likes to do with others. But we need to recognize our duties beyond the circle of our friends, family, or motorcycle club and have duties even to people who mean nothing to us personally. (shrink)

The Greek philosopher Aristotle argues that human beings are not born with inclinations toward either virtue or vice; rather, each person's moral character traits are cultivated through a combination of social influence and individual rational choice. Sons of Anarchy relies on our fascination with “anti‐heroes,” morally ambiguous protagonists for whom we often cheer. Aristotle stresses the importance of the right environment for becoming virtuous, especially when it comes to children. Far from being pure, the SAMCROpolis tends to nurture both virtues (...) and vices in its “citizens.”. Part of the show's appeal stems from recognizing the members of SAMCRO as kindred spirits who exemplify‐albeit to dramatic extremes‐the mixture of virtue and vice found in every human being's moral character. The particular mix of virtue and vice that comprises Jax's moral character may, in the end, be exactly what SAMCRO needs at this moment in its history. (shrink)

In Sons of Anarchy, the male members of the MC are only one part of the story, as the Charming women play equally pivotal roles in the action. This chapter takes a look at the women to see how they wield their power, what they do with it, and how it is limited by the world in which they operate. The stories told on Sons of Anarchy are familiar to us. The character's lives ebb and flow with hopes and fears, (...) gains and losses, friendship and enmity, love and resentments, and regrets and triumphs that we can identify with. We ride alongside the characters as they strive for the ideals that make life worth living, such as friendship, love, and happiness, though none of the characters seems to have achieved these ideals perfectly in their lives. (shrink)

Sons of Anarchy puts us in a world where bikers and other criminal gangs rule, where violence is normal, and where everyone is tattooed. The conjunction of these three things calls to mind our tendency to form expectations of people based on their appearance and especially on how they have chosen to permanently alter their bodies, with ink or in other dramatic ways. The fact that many people modify their bodies, whether through tattoos, piercings, or muscle toning and weight loss, (...) betrays the natural identification each of us feels with our body. We recognize the Sons of Anarchy characters in part by their tattoos, which reflect their choices, values, and personal histories. Getting a giant Grim Reaper tattoo that transforms one's appearance to reflect one's loyalties is akin to other ceremonies that induct someone into an organization or demonstrate someone's dedication to something. (shrink)

The past is, indeed, so essential to the club that they might just as well be called the Sons of History. Georg Wilhelm Friedrich Hegel argues that history follows a rational course of development that begins with civilization's earliest and crudest forms of thinking but culminates in modern science and philosophy. Thinking develops and matures through a process Hegel calls “dialectic.” A dialectical process has often been described as one in which an initial “thesis” is set against an opposing “antithesis,” (...) with the opposition between the two provoking a process that “sublates” or “uplifts” them into a hybrid or unified “synthesis.” This dialectical hybrid preserves what is good and right in those originally one‐sided positions, forging them into something higher. (shrink)