While all chairs of classics after the war were entrusted to already well-established pre-war professors, female scholars, junior often only by rank, took care of the mind-boggling logistics of setting up the defunct departments and preparing them for the first cohort of students. It was an unusual group composed of various ages and levels of knowledge. Older ones saw their education put on hold during the war or attended underground university classes but did not obtain their degrees. Younger ones completed (...) high school within the same clandestine system. Things began to change during the second post-war decade with women advancing in their careers, obtaining degrees and university positions. The paper discusses the careers of seven prominent classicists: Zofia Abramowiczówna (1906–1988), Leokadia Małunowicz (1910–1980), Daniela Tennerówna-Gromska (1889–1973), Izydora Dąmbska (1904–1983), Anna Maria Komornicka (1920–2018), Iza Bieżuńska-Małowist (1917–1995), and Stefania Światłowska (1914–2009). (shrink)

Ameriški bogovi (Starz 2017–2021) in Peščeni mož (Netflix 2022– ), dve izrazito gledljivi avdiovizualni seriji, sta priredbi priljubljenega romana Neila Gaimana (2001) in njegove predhodne serije stripov (1989–1996). Obe sta navdihnjeni s klasično in nordijsko mitologijo ter odražata razvoj kulturno in družbeno pomembnih tem, do katerega je prišlo med objavo njunih literarnih predlog in predvajanjem televizijskih serij. Zanimivo je, da priredba romana vključuje več olimpskih bogov, vendar zamolči vpliv Herodota. Po drugi strani je Peščeni mož v svoji televizijski različici, natančneje (...) v tu obravnavani zadnji epizodi prve sezone z naslovom Kaliopa, v prizorih spolne zlorabe precej manj grafičen; drastičnejše podobe prepušča gledalčevi domišljiji, a hkrati doseže še bolj izrazito empatijo do trpeče žrtve in ostro obsodbo storjene nezaslišanosti. (shrink)

A summary of an interview conducted by Adrian Szopa and Andrzej Gillmeister on April 22, 2016, in the cycle “Conversations with Mentors,” sponsored by the Centre for Film Documentation of Polish Scholarship, Pedagogical University of Kraków and the Polish Society of Ancient Studies. Available online at the Oral History Archive of the Polish Society for Ancient Studies (SHS). Translated by ElŻbieta Olechowska.

There were few Marxist sympathizers among Polish classicists decimated during World War II. How they fared during the tense and uncertain first postwar decade depended on their Communist connections and personality. Kazimierz Majewski (1903–1981), a classicist from Lviv, commanded quasi-universal respect in the academic community – despite his Communist views – because of his scholarly, organizational, and didactic achievements. Tasked with organizing and inaugurating a new Polish University in Wrocław in 1945, he contributed to creating three thriving classical departments – (...) philology, ancient history, and archaeology – a scholarly society, academic journals, and a vibrant academic community. When he moved to Warsaw four years later, he founded an institute for material culture, developed a multidisciplinary research team, and launched within the Soviet bloc two major archaeological excavation projects, in Olbia and in Novae, where generations of archaeologists learned how to perform fieldwork and communicate its results internationally through regular publications and cooperation. Through his Party connections, he protected and ensured support for colleagues less fortunate in this respect. (shrink)

A summarized fragment of an interview conducted on April 22, 2016, as an installment of the cycle “Conversations with Mentors,” sponsored by the Centre for Film Documentation of Polish Scholarship, Pedagogical University of Kraków and the Polish Society of Ancient Studies. Available online at the Oral History Archive of the Polish Society for Ancient Studies (SHS). The summary covers only Prof. Wipszycka’s biography until the change of regime.