The current techno-scientific revolution has transformed the concepts of person and human being. Techno-scientific developments raise questions about our very own humanity and bring again the Übermensch, about whom Nietzsche once spoke, for discussion. Technology has increased the desire to modify our human condition, aiming for the perfection of the physical, intellectual and psychological abilities. Different sciences and disciplines have had the necessity to adapt themselves to these techno-scientific transformations. Psychology has not been the exception and, because of that, a (...) new paradigm of approaching the human mind has been recently established. Concepts such as cybertherapy, virtual reality therapy to treat patients with phobias, and the use of Artificial Intelligence have revolutionized Psychology. Therefore, the purpose of the article is to establish whether the use of Artificial Intelligence in Psychotherapy actually contributes to the improvement of human beings by making possible progress within the field of Mental Health Care or, on the contrary, it poses a risk to humanity, which might face the possibility of replacing human therapists with intelligent machines. (shrink)

En este trabajo se estudia “Nocturno del hueco” (Poeta en Nueva York, 1929) de Federico García Lorca, a partir de un acercamiento al modo en que se construye el ‘hueco’ en la voz poética. Se intenta explicar cómo y por qué García Lorca usa imágenes relacionadas con el mundo natural (plantas, animales y los cuatro elementos). Primero, se observa cómo usa los sentidos el poeta: existe una estrecha relación entre los sentidos y la manera en que aparecen los elementos naturales. (...) Los sentidos determinan la interpretación que uno puede tener de los elementos naturales: la significación de estos está condicionada por una presencia o ausencia que se advierte sólo por ellos. Igualmente, se intuye que el vacío que habita al yo poético se ensancha hasta rozar la muerte. Palabras clave: nocturno, vacío, sentidos, elementos naturales, amor y muerte. (shrink)