唐宋を結ぶ五代十国時代にあって「一心」により中国仏教を統合し、その思想を『宗鏡録』一〇〇巻に著わした禅僧、永明延寿の全体像を本格解明。巻末には新出史料、『永明智覚禅師方丈実録』の翻刻と訳注を付す。中国 仏教思想史に新たな息吹を伝える迫真の論考!

Shūkyō to sono shinri -- Shūkyō no rikai -- Kami ni tsuite.

社会の最底辺から撃つ、未来とは過去である、論文を書くといったモットーで歴史を築いてきた法政大学・社会思想史ゼミの集大成論文集.

This article studies the treatment effect models in which individuals are classified into unobserved groups based on heterogeneous treatment rules. By using a finite mixture approach, we propose a marginal treatment effect framework in which the treatment choice and outcome equations can be heterogeneous across groups. Under the availability of instrumental variables specific to each group, we show that the MTE for each group can be separately identified. On the basis of our identification result, we propose a two-step semiparametric procedure (...) for estimating the group-wise MTE. We illustrate the usefulness of the proposed method with an application to economic returns to college education. (shrink)

The long Japanese tradition of Korean ceramics appreciation, closely associated with the Zen tea ceremony _(chanoyu), _has played an important role in the development of Korean aesthetics in the twentieth century. The art critic and philosopher Yanagi Soetsu was instrumental in this process during the occupation period, since, continuing in this tradition, he particularly valued Joseon ceramics for their aesthetic qualities - such as naturalness, nonchalance, and simplicity - akin to praised values in Zen Buddhism. Yanagi’s pioneering writings (...) might have been influential in the prevalence of those traits when defining Korean art and aesthetics in general. After a brief presentation of key expressions defining Korean art and aesthetics, the paper focuses on Yanagi’s aesthetic assessment of Joseon ceramics and particularly on his proposal of its appreciation beyond the modern Western division between art and craft. (shrink)

1. Ikkŭnŭn mal -- 2. Han nara ŭi yet kŭlssi ro tora kaja : K'ang Yuwei, sŏye wa mihakchŏk chŏnhwan -- 3. Chosŏn ŭi yesul ŭn illyu ŭi pigŭk ŭl tamnŭnda : Yanagi Muneyosi, minye uĭ palgyŏn -- 4. Nŏhŭi nŭn T'ap ŭi himch'am ŭl poannŭn'ga : Ko Yu-sŏp, Han'guk hyŏndae mihak ŭi t'ansaeng -- 5. Naganŭn mal.

Prompted by Heidegger’s search for great art in the modern times, this paper looks into crafts as answering the philosopher’s frustrated call. Using Soetsu Yanagi’s idea of a “religion of beauty,” which turns to the ordinary as beautiful, it suggests that crafts—carefully made by hand while considering its affinity with nature and the human body that uses it—is a way of being, the way Heidegger described the way of “dwelling poetically.”.