9 found
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  1.  28
    Attention capture by faces.Stephen R. H. Langton, Anna S. Law, A. Mike Burton & Stefan R. Schweinberger - 2008 - Cognition 107 (1):330-342.
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  2.  12
    Links Between Musicality and Vocal Emotion Perception.Stefan R. Schweinberger & Christine Nussbaum - 2021 - Emotion Review 13 (3):211-224.
    Links between musicality and vocal emotion perception skills have only recently emerged as a focus of study. Here we review current evidence for or against such links. Based on a systematic literature search, we identified 33 studies that addressed either (a) vocal emotion perception in musicians and nonmusicians, (b) vocal emotion perception in individuals with congenital amusia, (c) the role of individual differences (e.g., musical interests, psychoacoustic abilities), or (d) effects of musical training interventions on both the normal hearing population (...)
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  3.  37
    Viewers extract mean and individual identity from sets of famous faces.Markus F. Neumann, Stefan R. Schweinberger & A. Mike Burton - 2013 - Cognition 128 (1):56-63.
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  4.  6
    Vocal emotion adaptation aftereffects within and across speaker genders: Roles of timbre and fundamental frequency.Christine Nussbaum, Celina I. von Eiff, Verena G. Skuk & Stefan R. Schweinberger - 2022 - Cognition 219 (C):104967.
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  5.  11
    Expression influences the recognition of familiar faces.Jürgen M. Kaufmann & Stefan R. Schweinberger - 2004 - In Robert Schwartz (ed.), Perception. Malden Ma: Blackwell.
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  6.  24
    Absence of Sex-Contingent Gaze Direction Aftereffects Suggests a Limit to Contingencies in Face Aftereffects.Nadine Kloth, Gillian Rhodes & Stefan R. Schweinberger - 2015 - Frontiers in Psychology 6.
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  7.  10
    Neural correlates of cognitive aging during the perception of facial age: the role of relatively distant and local texture information.Jessica Komes, Stefan R. Schweinberger & Holger Wiese - 2015 - Frontiers in Psychology 6.
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  8.  6
    Perceived naturalness of emotional voice morphs.Christine Nussbaum, Manuel Pöhlmann, Helene Kreysa & Stefan R. Schweinberger - 2023 - Cognition and Emotion 37 (4):731-747.
    Research into voice perception benefits from manipulation software to gain experimental control over acoustic expression of social signals such as vocal emotions. Today, parameter-specific voice morphing allows a precise control of the emotional quality expressed by single vocal parameters, such as fundamental frequency (F0) and timbre. However, potential side effects, in particular reduced naturalness, could limit ecological validity of speech stimuli. To address this for the domain of emotion perception, we collected ratings of perceived naturalness and emotionality on voice morphs (...)
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  9.  21
    Face Distortion Aftereffects Evoked by Featureless First-Order Stimulus Configurations.Pál Vakli, Kornél Németh, Márta Zimmer, Stefan R. Schweinberger & Gyula Kovács - 2012 - Frontiers in Psychology 3.
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