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Timothy M. Dale [4]Thomas Dale [4]Thomas E. A. Dale [4]T. Dale [2]
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  1.  13
    Jean Wirth, L'image à l'époque romane. Paris: Cerf, 1999. Pp. 498; 186 black-and-white figures.Thomas E. A. Dale - 2003 - Speculum 78 (1):298-302.
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  2.  7
    Liberty Square in the Shadow of Cinderella's Castle.Timothy Dale & Joseph Foy - 2019-10-03 - In Richard B. Davis (ed.), Disney and Philosophy. Wiley. pp. 283–291.
    Walt Disney is largely responsible for popularizing the princess story in American culture. These stories are the centerpieces of the Disney collection and their flagship theme parks. Indeed, Cinderella's castle itself is at the heart of Disney's Magic Kingdom. The first of Disney's theme parks, the Magic Kingdom was intended to capture the magic and imagination of the Disney movies, and bring to life the settings of Disney stories. Epcot was the second of four parks built at the Walt Disney (...)
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  3. The individual, the resurrected body, and romanesque portraiture: The tomb of Rudolf von Schwaben in Merseburg.Thomas E. A. Dale - 2002 - Speculum 77 (3):707-743.
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  4.  13
    The Rat Prince and The Prince.Timothy M. Dale & Joseph J. Foy - 2014 - The Philosophers' Magazine 67:48-53.
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  5.  5
    “The Rat Prince” and The Prince.Timothy M. Dale & Joseph J. Foy - 2013-09-05 - In George A. Dunn & Jason T. Eberl (eds.), Sons of Anarchy and Philosophy. Wiley. pp. 65–72.
    In the final minutes of the Season 3 finale of Sons of Anarchy, it appears that Jax Teller has betrayed the MC and lived up to his nickname: “The Rat Prince.” But it is actually a set‐up to reduce the jail time for SAMCRO members. The life of freedom and camaraderie that J.T. sought when forming the MC became increasingly impossible due to the means he needed to employ to secure the club's success. The social order he founded turned out (...)
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  6. Broadcast Dystopia: Power and Violence in The Running Man and The Long Walk.Joseph J. Foy & Timothy M. Dale - 2016 - In Jacob M. Held (ed.), Stephen King and Philosophy. Lanham: Rowman & Littlefield.
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  7. Peter Fergusson and Stuart Harrison, with contributions from Glyn Coppack, Rievaulx Abbey: Community, Architecture, Memory. New Haven, Conn., and London: Yale University Press, for the Paul Mellon Centre for Studies in British Art, 1999. Pp. xii, 282; black-and-white frontispiece, many color and black-and-white figures, 32 color plates, plans, maps, and tables. $85. [REVIEW]Thomas E. A. Dale - 2001 - Speculum 76 (3):721-723.
     
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  8.  15
    Shirin Fozi and Gerhard Lutz, eds., Christ on the Cross: The Boston Crucifix and the Rise of Monumental Wood Sculpture, 970–1200. (Studies in the Visual Cultures of the Middle Ages 14.) Turnhout: Brepols, 2020. Pp. 455; color and black-and-white figures. €150. ISBN: 978-2-5035-7967-2. Table of contents available online at http://www.brepols.net/Pages/ShowProduct.aspx?prod_id=IS-9782503579672-1. [REVIEW]Thomas Dale - 2022 - Speculum 97 (3):832-834.
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  9. TILES, MARY [1989]: "The Philosophy of Set Theory". [REVIEW]Tony Dale - 1990 - British Journal for the Philosophy of Science 41:575.
  10.  25
    Thomas Meier, Die Archäologie des mittelalterlichen Königsgrabes im christlichen Europa. (Mittelalter-Forschungen, 8.) Stuttgart: Jan Thorbecke, 2002. Pp. x, 478; 173 black-and-white figures. €65. [REVIEW]Thomas E. A. Dale - 2006 - Speculum 81 (1):241-243.