The key focus of this essay is the experience of encountering divine wonder in things. The examination of the divine encounter is staged against the phenomenological backdrop. Specifically, the concept of the divine wonder is taken in its original, Husserlian, definition as Verwunderung and is traced via Levinas and his concept of face (le visage) to the early 20th century Russian philosopher, Pavel Florensky (1882–1943), whose 1922 essay “Iconostasis” approaches divine representation (лuк) in icon painting explicitly and consistently as a (...) phenomenon of wonder. More broadly, by connecting Florensky and his work to the phenomenological project at large, this essay aspires to show that the early 20th century Russian contributions to phenomenological thought go beyond adaptations and simulations of the traditional phenomenological prolegomena toward highly original philosophical encounters. (shrink)

The key focus of this essay is the experience of encountering divine wonder in things. The examination of the divine encounter is staged against the phenomenological backdrop. Specifically, the concept of the divine wonder is taken in its original, Husserlian, definition as Verwunderung and is traced via Levinas and his concept of face to the early 20th century Russian philosopher, Pavel Florensky, whose 1922 essay “Iconostasis” approaches divine representation in icon painting explicitly and consistently as a phenomenon of wonder. More (...) broadly, by connecting Florensky and his work to the phenomenological project at large, this essay aspires to show that the early 20th century Russian contributions to phenomenological thought go beyond adaptations and simulations of the traditional phenomenological prolegomena toward highly original philosophical encounters. (shrink)

In this paper, I argue for the impossible possibility of an ethical dwelling with technology. In arguing for an ethical comportment in our dealing with technology, I am not only arguing for the consideration of the ethical implications of technology (which we already do) but also, and more importantly, for an ethics of technological artefacts qua technology. Thus, I attempt to argue for a decentering (or rather overcoming) of anthropocentric ethics, urging us to move beyond any centre, whatever it may (...) be—anthropological, biological, etc. I argue that if we take ethics seriously we must admit that our measure cannot be that of man. To develop the argument, I use an episode in Star Trek where the fate of the highly sophisticated android Commander Data is to be decided. I show how the moral reasoning about Data remains anthropocentric but hints to other possibilities. I proceed to use the work of Derrida and Levinas (with some help from Heidegger) to suggest a possible way to think (and do) an ethos beyond traditional ethics—an ethics of hospitality in which we dwell in a community of those that have nothing in common. (shrink)

This article is about our relationship with things; about the abundant material geographies that surround us and constitute the very possibility for us to be the beings that we are. More specifically, it is about the question of the possibility of an ethical encounter with things (qua things). We argue, with the science and technology studies tradition (and Latour in particular), that we are the beings that we are through our entanglements with things, we are thoroughly hybrid beings, cyborgs through (...) and through – we have never been otherwise. With Heidegger we propose that a human-centred ethics of hybrids will fail to open a space for an ethical encounter with things since all beings in the sociomaterial network – humans and non-human alike – end up circulating as objects, enframed as ‘standing reserve’, things-for-the-purposes-of the network. We suggest that what is needed is an ethos beyond ethics, or the overcoming of an ethics – which is based on the will to power – towards an ethos of letting be. We elaborate such a possibility with the help of Heidegger, in particular with reference to the work of Graham Harman and his notion of ‘tool-being’. From this we propose, very tentatively, an ethos that has as its ground a poetic dwelling with things, a way of being that lets being be (Gelassenheit). We show how such a poetic dwelling, or ethos of Gelassenheit, may constitute the impossible possibility of a very otherwise way of being with things – an ethos of a ‘community of those who have nothing in common’ as suggested by Alphonso Lingis. (shrink)

Purpose– This paper aims to explore human technology relations through the lens of sci-fi movies within the life cycle of the ETHICOMP conference series. Here, different perspectives on artificial intelligent agents, primarily in the shape of robots, but also including other kinds of intelligent systems, are explored. Hence, IT-ethical issues related to humans interactions with social robots and artificial intelligent agents are illustrated with reference to: Alex Proyas’ I, Robot; James Cameron’s Terminator; and the Wachowski brothers’ Matrix. All three movies (...) present robots cast in the roles of moral agents capable of doing good or evil. Steven Spielberg’s Artificial Intelligence, A.I. gives rise to a discussion of the robot seen as a moral patient and furthermore reflects on possibilities for care and trust relations between robots and humans. Andrew Stanton’s Wall-E shapes a discussion of robots as altruistic machines in the role as facilitators of a flourishing society. Steven Spielberg’s Minority Report allows for a discussion of knowledge-discovering technology and the possibility for balancing data utility and data privacy.Design/methodology/approach– Observations of themes in sci-fi movies within the life span of the ETHICOMP conference series are discussed with the purpose of illustrating ways in which science fiction reflects (science) faction. In that sense, science fiction does not express our worries for a distant future, but rather casts light over questions, which is of concern in the present time.Findings– Human technology interactions are addressed and it is shown how sci-fi films highlight philosophical questions that puzzle us today, such as which kind of relationships can and ought to be formed with robots, and whether the roles they play as social actors demand that one ought to assign moral standing to them. The paper does not present firm answers but instead pays attention to the selection and framing of questions that deserve attention.Originality/value– To relate sci-fi movies to topics raised during the past 20 years of the ETHICOMP conference series, seemed to be an appropriate way of celebrating the 20-year anniversary of the ETHICOMP conference series. (shrink)