Deleuze as Subject – B2430.D454 – Mapping Deleuze Studies in the Library

Deleuze and Guatarri Studies 11 (3):429-456 (2017)
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Abstract

Guided by Deleuze's taxonomic theory and practice and his concepts concerning the body, literature, territory and assemblage, this article examines library classification as a technique of discipline and bibliographic control. Locating books written by and about Deleuze reveals processes of discipline formation and the circulation of knowledge, and it troubles the principles upon which the classification is based. A Deleuzian critique presents the Library of Congress Classification as an abstract machine that diagrams knowledge in many academic libraries around the world.

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10.3366/dls.2017.0275

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References found in this work

Cinema 1: The Movement Image.Gilles Deleuze, Hugh Tomlinson & Barbara Habberjam - 1988 - Journal of Aesthetics and Art Criticism 46 (3):436-437.
Cinema Year Zero.Gregory Flaxman - 2000 - In The brain is the screen: Deleuze and the philosophy of cinema. Minneapolis: University of Minnesota Press. pp. 87--108.

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