Babies Rule! Niches, Scaffoldings, and the Development of an Aesthetic Capacity in Humans

British Journal of Aesthetics 60 (3):299-314 (2020)
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Abstract

Where does the human aesthetic come from? How does it develop? By introducing the notion of the ‘niche’ as a key term in an empirically and evolutionarily informed aesthetics, this paper aims to take a fresh look at these and similar questions. It also aims to shed new light on the development and functioning of the aesthetic capacity in humans and its trans-generational transmission. Drawing on recent research developments in evolutionary biology, developmental psychology, and cognitive sciences, I shall argue that the human aesthetic capacity—which I understand as the capacity, involving perceptual, cognitive and emotional processes, to enter into a pleasurable/non-pleasurable and expressive relation with objects, artworks, natural phenomena, or other people—relies on constructed environmental resources for its emergence and its ontogenetic development.

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Citations of this work

Making Space for Creativity: Niche Construction and the Artist’s Studio.Jussi A. Saarinen & Joel Krueger - 2022 - Journal of Aesthetics and Art Criticism 80 (3):322–332.
Contradiction That Never Was: Epigenesis versus Modularity in Evolutionary Aesthetics.Onerva Kiianlinna - 2021 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 14 (2):79-91.

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References found in this work

Engineered Niches and Naturalized Aesthetics.Richard A. Richards - 2017 - Journal of Aesthetics and Art Criticism 75 (4):465-477.
The poetics of babytalk.David S. Miall & Ellen Dissanayake - 2003 - Human Nature 14 (4):337-364.
Why Art Is not a Spandrel.S. Davies - 2010 - British Journal of Aesthetics 50 (4):333-341.

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