According to Mark 6:14–29, John the Baptist was beheaded by the order of Herod Antipas. This dramatic event became inevitable after a cunning interplay between Herodias and her daughter, who remains nameless in the New Testament. According to Flavius Josephus, she was called Salome ( Jewish Antiquities XVIII, 5.4 § 136–137), and under that name, she went down in history. For the sake of convenience, I also call her ‘Salome’ in this article. Salome is the Greek form of the (...) Hebrew name Shlomith, which was very popular in early Judaic times and means ‘she who brings peace and tranquillity’. Unlike the faithful women elsewhere in Mark’s gospel (5:21–43; 7:24–30; 14:3–9), Herodias and her daughter are not exactly models of virtue. Yet, it is questionable as to whether they are both thoroughly bad and whether they are both equally responsible for the murder of John. This article does not provide a historical reconstruction of what exactly happened at the court of Herod Antipas, but it contains a narrative analysis of what happened in the court of Herod Antipas. This narrative analysis is followed by an intertextual approach in the second part of this article. Firstly, I will compare Mark’s story with what Flavius Josephus tells about the beheading of John. Thereafter, I will highlight the roles of Herodias and Salome in the play Salome by Oscar Wilde from 1894, which, in turn, forms the basis of the libretto for the opera Salome by Richard Strauss from 1905. Do we encounter in these modern artistic recreations (Neuschöpfungen) only transformations of Mark’s story, or also transgressions in which Wilde and Strauss have largely replaced the original meaning of the story with new meaning? (shrink)

This article examined the story of the beheading of John the Baptist according to the Gospel of Mark (6:14–29) and drew lessons for the situation of politically motivated violence perpetrated by the youth in Zimbabwe. Politically motivated violence in Zimbabwe is a well-documented problem that negatively impacts on human rights. The article used the historical-critical method in its re-reading of the text in question and the ‘youth bulge theory’ as theoretical framework. Documentary analysis was employed to solicit data from various (...) reports, documents and the Internet. Results showed that it was mostly the poor and unemployed youth who engaged in acts of politically motivated violence and did so on behalf of political parties and leaders. Based on these findings, it is argued that just as both Herod and Herodias abused their power by manipulating the daughter of Herodias in their plot to eliminate John the Baptist, so did powerful Zimbabwean politicians and leaders manipulate economically and socially vulnerable youth for their own political expediency. Contribution: Drawing from Mark 6:14–29, this article presents an application of the New Testament text of Mark 6:14–29 to the politically motivated violence in Zimbabwe in order to promote responsible leadership for a peaceful and tolerant Zimbabwean society. It also contributes to the argument that New Testament texts are intrinsically political documents, which scholars should try to unpack. (shrink)

There is nothing better than René Girard’s mimetic desire and scapegoat’s theory to interpret and understand the enigmatic episode of the death of John the Baptist at the climax of Herod’s birthday celebration. Before Girard, many literary pieces have dealt with this same subject. Among them, Oscar Wilde’s Salome and Gustave Flaubert’s Hérodias, which offer a fascinating approach to the story told both by the Gospels and by historian Flavius Josephus. In this paper, several aspects are taken into consideration, namely, (...) the historical and political context, the secondary “characters”, the events before, during and after the banquet, the apparently inexplicable bloody ending and its terrible aftermath. (shrink)