This book argues that in fact it is Locke 's critics who are wrong, and that the famous objections to his theory are invalid.

Resumen: Cervantes a lo largo de su producción literaria confronta diversas doctrinas de ratio philosophica respecto de la muerte y la trascendencia. Entre ellas destacaría la tesis mortalista, o tnetopsiquismo neoaristotélico, de la Escuela de Padua, cuyo principal exponente fue Pedro Pomponazzi. En este artículo nos centraremos en la presencia de esta doctrina en sus ocho comedias de 1615.: Cervantes throughout his literary production confronts diverse doctrines of ratio philosophica on death and transcendence. Among them we should emphasize the mortalist (...) thesis, or neo-Aristotelian thnetopsychism, of the School of Padua, whose main exponent was Pedro Pomponazzi. In this article we will focus on the presence of this doctrine in his eight comedies of 1615. (shrink)