This article is an attempt to clarify the idea that narratives cohere by representing stories. Stories are causally related in the way proposed by Noël Carroll, i.e., the events and states constitute necessary conditions or sufficient conditions or INUS-conditions of each other. Then, a general concept of propositional coherence is suggested. It is based on Nelson Goodman's and Joseph Ullian's ideas about unitary formulas. Narrative coherence is defined as the propositional understanding of a text (in the wide sense, including non-verbal (...) narratives) that constitutes one unitary string built upon conditional relations, i.e., relations between individuals matching Carroll's types of conditions. (shrink)

This article is an attempt to clarify the idea that narratives cohere by representing stories. Stories are causally related in the way proposed by Noël Carroll, i.e., the events and states constitute necessary conditions or sufficient conditions or INUS-conditions of each other. Then, a general concept of propositional coherence is suggested. It is based on Nelson Goodman's and Joseph Ullian's ideas about unitary formulas. Narrative coherence is defined as the propositional understanding of a text (in the wide sense, including non-verbal (...) narratives) that constitutes one unitary string built upon conditional relations, i.e., relations between individuals matching Carroll's types of conditions. (shrink)

To engage with the aesthetic is to watch yourself watching and what you see cannot be reached, for all that exists is the reflection of the vision performed by you. The aesthetic experience offers insights into the consciousness that are both ancient and linked to creative inventions in present-day art culture. In "A Place to Know", Margaretha Rossholm Lagerloef interprets twelve recent artworks, from Sol LeWitt to Katharina Grosse. She sets out the unique claims and qualities which are inherent (...) in seeing and understanding contemporary art. The book presents four analytical categories of artwork, charting the character of the aesthetic experience and the traditions that determine how we think about visual art. She peels back the layers of consciousness to lay bare the forgotten seams of experience, interwoven with artistic expression. The ancient thus arcs into a deepened awareness of avant-garde art. (shrink)

The concept of mimesis has been central to philosophical aesthetics from Aristotle to Kendall Walton: in plain terms, it highlights the links between a fictional world or a representational practice on the one hand and the real world on the other. The present collection of essays includes discussions of its general viability and pertinence and of its historical origins, as well as detailed analyses of various relevant issues regarding literature, film, theatre, images and computer games. The individual papers offer new (...) arguments for the specialist, yet in their sum also provide a solid and helpful survey of the current state of the debate. Contributions by P. Alward, G. Currie, D. Davies, L. Dole el, J. Hamilton, T. Kobli ek, P. Kot'atko, A. Kuzmicova, J. Levinson, A. Meskin, A. Pettersson, M. Pokorny, J. Robson, G. Rossholm, R. M. Sainsbury, F. Stjernberg, E. Terrone, K. Thein, A. Voltolini. (shrink)