Despite a significant effort to reduce civilian casualties, a large number of civilians have been killed and injured by the military forces of the Western powers undertaking military operations in remote regions. However, there is no requirement in the just war tradition (JWT) and international humanitarian law (IHL) to provide reparation for the victims of unintended and proportional attacks. This article seeks to establish moral grounds for responsibility to provide reparation for “collateral damage” by focusing on the distinct characteristics of (...) expeditionary intervention and supplementing JWT with the frameworks of corrective justice and restorative justice. We propose that the elective, non-reciprocal, and asymmetrical natures of expeditionary interventions give rise to a special obligation to provide reparation for the civilian harms permitted by the JWT, on the basis of the fair distribution of risks and the need to restore damaged relationships. (shrink)

Despite a significant effort to reduce civilian casualties, a large number of civilians have been killed and injured by the military forces of the Western powers undertaking military operations in remote regions. However, there is no requirement in the just war tradition (JWT) and international humanitarian law (IHL) to provide reparation for the victims of unintended and proportional attacks. This article seeks to establish moral grounds for responsibility to provide reparation for “collateral damage” by focusing on the distinct characteristics of (...) expeditionary intervention and supplementing JWT with the frameworks of corrective justice and restorative justice. We propose that the elective, non-reciprocal, and asymmetrical natures of expeditionary interventions give rise to a special obligation to provide reparation for the civilian harms permitted by the JWT, on the basis of the fair distribution of risks and the need to restore damaged relationships. (shrink)

Una pol mica filos fica cubana para el siglo XXI.

While there has been a surge in scholarship on Imperial Way Buddhism (kōdō Bukkyō) in the past several decades, little attention has been paid, particularly in Western scholarship, to the life and work of Ichikawa Hakugen (1902–1986), the most prominent and sophisticated postwar critic of the role of Buddhism, and particularly Zen, in modern Japanese militarism. By way of a thorough and critical investigation of Ichikawa’s critique, Imperial-Way Zen: Ichikawa Hakugen’s Critique and Lingering Questions for Buddhist Ethics (...) by Christopher Ives seeks to provide answers to a number of important questions regarding Zen ethics in the context of modern Japan. Particularly fruitful is Ives’ discussion, in chapter 7, of the .. (shrink)

The Rules of Thought, by Jonathan Jenkins Ichikawa and Benjamin Jarvis, is a dense and ambitious book whose principal aim is to defend the view that philosophical inquiry is a priori inquiry into essential natures. The book covers a broad range of philosophical issues spanning the philosophy of mind and language, the epistemology of metaphysical modality and the philosophy of philosophy. It will be of considerable interest to many, since there is something in it for just about everyone. That (...) said, the authors do not do as much as one might like to make their views accessible to the uninitiated or convincing to the unconverted. (shrink)

Despite the importance of Ichikawa's writings, this volume is the first by any scholar to outline his critique.

In “Knowing the Intuition and Knowing the Counterfactual”, Jonathan Ichikawa objects that this misrepresents the thought experiment as more accident‐prone than it really is. Ichikawa could take over exactly the formalization of the Gettier argument that the book recommends counterfactual and all. Michael Martin suggests that the idea of progress in a discipline, although applicable to mathematics and the natural sciences, fails to fit some of the humanities, such as history, so that we should not be too surprised (...) if it also fails to fit philosophy. Martin is more willing to countenance progress for individual philosophers than for the discipline as a whole. The crucial difference, Brandom argues, is that only the human can do things like reasoning from “That’s red” to “That’s colored.” Metaphysics is back in fashion, at least in the analytic tradition that dominates English‐speaking philosophy and is growing rapidly across the rest of the world too. (shrink)

Jonathan Ichikawa (2012) argues that the standard counterexamples to the knowledge norm of practical reasoning are no such thing. More precisely, he argues that those alleged counterexamples rest on claims about which actions are appropriate rather than on claims about which propositions can be appropriately treated as reasons for action. Since the knowledge norm of practical reasoning concerns the latter and not the former, Ichikawa contends that proponents of the alleged counterexamples must offer a theory that bridges the (...) gap between the two types of claims. I argue, first, that the standard counterexamples do not rest on claims about which actions are appropriate, second, that even if they did, we would not need a theory to bridge the gap between the two types of claims, and, third, that even if we did need such a theory, a plausible theory is on offer. (shrink)

The practice of thought experimentation plays a central role in contemporary philosophical methodology. Many philosophers rely on thought experimentation as their primary and even sole procedure for testing theories about the natures of properties and relations. This test procedure involves entertaining hypothetical cases in imaginative thought and then undergoing intuitions about the distribution of properties and relations in them. A theory’s comporting with an intuition is treated as evidence in favour of it; but a clash is treated as evidence against (...) the theory and may even be regarded as falsifying it. -/- The epistemic power of thought experimentation is mysterious. How can experiments carried out within the mind enable us to discover truths about the natures of properties and relations like knowledge, causation, personal identity, reference, meaning, consciousness, beauty, justice, morality, and free will? This epistemological challenge is urgent, but a model of philosophical thought experimentation would seem to be a necessary propaedeutic to any serious discussion of it. An adequate model would make the relevant test procedure explicit, thereby assisting in the identification of points of potential epistemic vulnerability. -/- In this monograph I advance the propaedeutical model-building work already done by Timothy Williamson, Anna-Sara Malmgren, and Jonathan Ichikawa and Benjamin Jarvis. Following the lead of these philosophers, I focus on a single Gettier-style thought experiment and the problem of identifying the real content of the Gettier intuition. My first contribution is to establish the inadequacy of all of the existing models. Each of them, I argue, fails to solve the content problem. It emerges from my discussion, however, that Ichikawa and Jarvis’s truth in fiction approach holds out the prospect of a solution. -/- My second contribution is to develop and defend a new way of implementing the general idea behind the truth in fiction approach. The model I put forward does a better overall job of modelling Gettier-style thought experiments than any of the existing models. It has none of the defects which render those models inadequate and Iam unable to find any major defects peculiar to it. This should make us feel confident that my model is adequate. Moreover, since the Gettier-style thought experiment I focus on is paradigmatic, we should also feel confident that my model will generalise naturally to other philosophical thought experiments. (shrink)

Jonathan Jenkins Ichikawa has presented a series of examples that are meant to spell trouble for Presuppositional Epistemic Contextualism. In this short article I aim to establish two things. First, I argue that even if Ichikawa’s examples were viable counterexamples to PEC, they would not threaten the key ideas underlying the account in my 2009 article ‘Knowledge and Presuppositions’. The philosophically interesting work that is done in that article remains unaffected by Ichikawa’s alleged counterexamples. In the second (...) part of the paper, I argue that the examples are not in fact successful counterexamples to PEC. The data emerging from Ichikawa’s examples can be accounted for within the framework of PEC. (shrink)

CHAPTER 1 Ichikawa' s View of the Body INTRODUCTION In 1975, Ichikawa Hiroshi published a remarkable book on the concept of the body entitled, ...

Rather than as a giving of permission to someone to transgress one’s bodily boundaries, I argue for defining sexual consent as feeling-with one’s sexual partner. Dominant approaches to consent within feminist philosophy have failed to capture the intercorporeal character of erotic consciousness by treating it as a form of giving permission, as is evident in the debate between attitudinal and performative theories of consent. Building on the phenomenology of Maurice Merleau-Ponty, Ann Cahill, Linda Martín Alcoff, and others, I argue that (...) taking consent to be an intercorporeal and dynamic coexistence of desiring bodies opens up new ways of thinking about the role of consent in sexual ethics. I suggest that phenomenology’s theories of embodied consciousness, operative intentionality, and the direct perception of others provide a better groundwork for conceptualizing the role of ambiguity and subtle power dynamics in sexual encounters than attitudinal or performative accounts of consent. I also defend my view against Jonathan Jenkins Ichikawa’s argument for doing away with the concept of consent in sexual ethics due to consent's stubborn and infelicitous presupposition of permission-giving. (shrink)

Aphantasia is a recently discovered disorder characterised by the total incapacity to generate visual forms of mental imagery. This paper proposes that aphantasia raises important theoretical concerns for the ongoing debate in the philosophy and science of consciousness over the nature of dreams. Recent studies of aphantasia and its neurobehavioral correlates reveal that the majority of aphantasics, whilst unable to produce visual imagery while awake, nevertheless retain the capacity to experience rich visual dreams. This finding constitutes a novel explanandum for (...) theories of dreaming. Specifically, I argue that the recent dream reports of aphantasics constitute an empirical challenge to the emerging family of views which claim that dreams are essentially imaginative experiences, constitutively involving the kinds of mental imagery which aphantasics, ex-hypothesi, lack. After presenting this challenge in the context of Jonathan Ichikawa’s recent arguments for this view, I argue that this empirical challenge may be overcome if the imagination theorist abandons Ichikawa’s account of dreaming in favour of a modified version. This involves the claim that dreams are essentially inactive and constitutively involve non voluntary forms of imagination. I conclude with a suggestion for further research which can test the viability of this alternative hypothesis, and move the debate forward. (shrink)

Contextualist accounts of “woman,” including Saul (2012), Diaz-Leon (2016), and Ichikawa (2020), aim to capture the variability of the meaning of the term, and do justice to the rights of trans women. I argue that (i) there is an internal tension between a contextualist stance and the commitment to trans-inclusive language, and that (ii) we should recognize and tackle the broader and deeper theoretical and practical difficulties implicit in the semantic debates, rather than collapsing them all into semantics. Moving (...) on, I sketch three strategies to help us advance feminist philosophical endeavors, including how attending to contextual matters can lead us to further reflect on the meta-contextual, such as our role in shaping contexts and whether the working of language is indicative of a larger oppressive social structure. (shrink)

Western sociology of the body, despite its attempt to create a somatic approach to human existence, inevitably shares many of the rationalistic and Cartesian assumptions of wider Western sociology. A contrasting, and in many ways radically different approach is that found in both classical and contemporary Japanese thought. In this article two major contemporary Japanese theorists of the body - Ichikawa Hiroshi and Yuasa Yasuo - are introduced and their work examined as distinctive, and in the West virtually unknown, (...) contributions to body analysis. Their views are briefly contrasted with some of the major themes of Western, and in particular British, sociology of the body and the implications of their work for future investigation of the human body are sketched out. (shrink)

We have recently presented evidence for cross-cultural variation in semantic intuitions and explored the implications of such variation for philosophical arguments that appeal to some theory of reference as a premise. Devitt (2011) and Ichikawa and colleagues (forthcoming) offer critical discussions of the experiment and the conclusions that can be drawn from it. In this response, we reiterate and clarify what we are really arguing for, and we show that most of Devitt’s and Ichikawa and colleagues’ criticisms fail (...) to address our concerns. (shrink)

Many philosophers are very sanguine about the cognitive contributions of fiction to science and philosophy. I focus on a case study: Ichikawa and Jarvis’s account of thought experiments in terms of everyday fictional stories. As far as the contribution of fiction is not sui generis, processing fiction often will be parasitic on cognitive capacities which may replace it; as far as it is sui generis, nothing guarantees that fiction is sufficiently well-behaved to abide by the constraints of scientific and (...) philosophical discourse, not even by the minimum requirements of conceptual and logical coherence. (shrink)

Pragmatic encroachment in epistemology is the idea that whether one knows some proposition depends on whether one can rely on it practically. Total pragmatic encroachment affirms that practical considerations of this sort encroach not just on knowledge but on all interesting normative epistemic statuses a belief might have. Ichikawa, Jarvis, and Rubin (2012) have argued that this stronger thesis conflicts with mainstream belief‐desire psychology. Worse still, they argue that attempting to defend the thesis gets one caught in vicious circularities. (...) The aim of this paper is to show that, if we are careful in how we understand the key idea of being sensitive to practical considerations, we can defend total pragmatic encroachment and avoid the circularities. In fact, depending on how it is understood, we can even square mainstream belief‐desire psychology with total pragmatic encroachment as well. (shrink)

Those who endorse a knowledge-first program in epistemology claim that rather than attempting to understand knowledge in terms of more fundamental notions or relations such as belief and justification, we should instead understand knowledge as being in some sense prior to such concepts and/or relations. If we suppose that this is the correct approach to theorizing about knowledge, we are left with a residual question about the nature of those concepts or relations, such as justification, that were thought to be (...) first but are now second. Jonathan Jenkins Ichikawa has recently proposed that we understand justification in terms of potential knowledge. Ichikawa combines his view of knowledge and justification with what initially seems to be a natural complement, epistemological disjunctivism. While Ichikawa focuses on hallucination, I shift the focus to illusion. I argue that the combination of justification as potential knowledge and epistemological disjunctivism entails that perceptual beliefs that arise from illusions are not justified. (shrink)

In his review of Chris Daly’s book Philosophical Methods, Jonathan Jenkins Ichikawa debates with Daly over the value of using the word “tension,” which Daly describes as a weasel word. Ichikawa disagrees. I raise a worry that Ichikawa’s response will not convince Daly and try to help Ichikawa out. Then I outline a traditional empiricist objection to Daly.

This paper contains a brief pastiche of analytic philosopher Carrie Ichikawa Jenkins, responding to the sociological theories of Pierre Bourdieu.

It is commonly agreed that logic studies the form of arguments and that the concept of a consequence relation is based on the idea of truth-preservation in all models. Based on some observations about arguments involving conditionals, Brogaard and Salerno argue that the consequence relation should be defined in terms of truth-preservation within one fixed context. I will argue that Ichikawa’s contextualism for counterfactuals can be treated as an elucidation of what they have in mind. Instead of standing for (...) or against Stalnaker’s or Lewis’s semantics of counterfactuals, I will argue that the key to explaining the phenomena in question is the concept of a consequence relation. To support the point above, logical contextualism or relativism will be introduced and defended. I thus suggest that the concept of a consequence relation is sensitive to the context in which a certain argument is asserted. (shrink)

It is commonly agreed that logic studies the form of arguments and that the concept of a consequence relation is based on the idea of truth-preservation in all models. Based on some observations about arguments involving conditionals, Brogaard and Salerno argue that the consequence relation should be defined in terms of truth-preservation within one fixed context. I will argue that Ichikawa’s contextualism for counterfactuals can be treated as an elucidation of what they have in mind. Instead of standing for (...) or against Stalnaker’s or Lewis’s semantics of counterfactuals, I will argue that the key to explaining the phenomena in question is the concept of a consequence relation. To support the point above, logical contextualism or relativism will be introduced and defended. I thus suggest that the concept of a consequence relation is sensitive to the context in which a certain argument is asserted. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Wonder, Imagination, and the Matter of Theatre in The TempestMary MooreAriel occurs. Recounting his performance of "the tempest" in Act I, scene 1 of The Tempest, he presents himself as being and action, fracturing grammar, spatial and temporal logic in ways that amaze and confound:I boarded the King's ship; now on the beak, Now in the waist, the deck, in every cabin, I flamed amazement. Sometime I'd divide, And (...) burn in many places; on the topmast, The yards, and bowsprit would I flame distinctly, Then meet and join...(1.2.195–201) 1"I flamed" means that Ariel emits or is flames, which in the normal order of things would consume him. His very narration, however, proves his survival, evoking wonder through the utterance itself. Forceful and compacted syntax, a recognized source of wonder in Classical and Renaissance accounts of style (Biester, pp. 14; 35–40), magnifies this effect. 2 Shakespeare's transitive use of the usually intransitive verb flame reflects a not uncommon practice, as E. A. Abbott shows; 3 but this syntactic device also reflects The Tempest's own logic. Ariel crosses boundaries between [End Page 496] deed and being, verb and noun, subject and object, matter and spirit: he both is and does flames. What could be more jarring to syntax and semantics than a singular subject whose utterance claims that he can flame, divide, meet and join? Just as "a" fire consists of many flames yet functions grammatically as a singular substance in English, just as the Christian Trinity is both singular and multiple, Ariel burns in many places at once. Meanwhile, this extraordinary language seems belied by the actor's very embodiment. Ariel cannot have done what he claims; yet the prior scene has represented the very storm in which Ariel flamed. In that sense, the actor's embodiment represents what we imagine to be matter's intractability, while Ariel's claims, coupled with the storm we have just witnessed, reveal matter's fluidity and permeability to imagination. Fluidity and intractability co-exist, another source of wonder. Sound mimics these paradoxes: the assonance and consonance in flame and amazement create a near rhyme that echoes the near identity of fire and human amazement. If, as Gurr and Ichikawa observe, a Renaissance audience expected to hear more than see a play, this echo calls attention to Ariel's marvelous powers. 4 Lest the noises and pleasures of the Renaissance theatre, which recent scholarship deems to be considerable, distract audience members from this bit of language, similar moments reinforce Ariel's play in and with language and matter throughout the play. Marvelous poetic language is of a piece with a "fever" that is of "the mind," with music that "creeps," actors who vanish, new found goddesses who speak the discoverers' own language.Amazement provides our cue: it and its cognates name the appropriate response to Ariel, his language, and to The Tempest itself. Attention to Ariel's poetic language reveals that it, like the plot, conforms to the marvels of the play and to the period's well documented love for marvels in several ways. Wonder, an aesthetic "'object of desire'" in itself, and a response to the inexplicable in classical and early modern views, may be evoked by the unexpected in style (and through other strategies that the era's handbooks taught). 5 The clause "I flamed amazement" epitomizes the unexpected in syntax as well as differing from one of the few sources found for The Tempest, William Strachey's 1610 letter, which describes just such a storm. 6 While St. Elmo's fire itself may elicit wonder, Shakespeare's syntax and diction reinforce that marvel. And no wonder: rhetoric and theatre alike depend upon audience attention, and wonders naturally evoke it. Jarring language also harmonizes with The Tempest's structural marvels—loose ends, disrupted actions, unforeseen futures—issues several critics explore. 7 [End Page 497]The wonders of The Tempest, however, also involve imagination—in early modern psychology, the human faculty that permits perception of the world and invention of images. 8 Wonder responds to how the perceived differs from the expected, how the imagined supplants the usual, how an... (shrink)

Although it seems natural to consider the last fifty years the contemporary period, because this year (1995) punctuates a historical period celebrating the fiftieth anniversary of the end of the Pacific War, this essay will limit the term “contemporary” roughly to the last twenty‐five years. The reason for this demarcation is that at the beginning of the 1970s, we witnessed a new philosophical mood emerging in Japan. Prior to that period, the Japanese philosophical scene was dominated by the study of (...) European thinkers, such as Husserl, Heiddeger, Sartre, and Merleau Ponty. The end of the students' movement in the early 1970s also marked the end of the ideological disputes launched by Marxism since the early 1930s. Instead, it appears that the Japanese intelligentsia in the early 1970s began to acutely sense problems inherent in the Eurocentric philosophy which had served as a foundation for Western science and technology. This occurred largely through a recognition that scientific technology had yielded, as its unexpected byproduct, a “mind/heartless” society, pollution, and global ecological crises, which had permeated almost all parts of the Japanese archipelago to threaten the psyche of the Japanese people and their mode of living. In this essay, I should like to briefly introduce three representative contemporary Japanese thinkers who have addressed some aspects of these problems in their writings. They are Nakamura Yujiro, Sakabe Megumi, and Yuasa Yasuo. (Because of the limitations of space, this article will restrict itself to these three thinkers, but this should not suggest that there are no other representative thinkers in Japan. Consider particularly those belonging to the neo Kyoto school, such as Nishitani Keiji, Kosaka Masaki, Koyama Iwao, Umehara Takeshi and Ueda Shizuteru. Nishitani's works are well known in the English speaking world, along with those of Abe Masao. Out side of the Kyoto school, we can also mention other thinkers, such as Matsumoto Masao, Hiromatsu Wataru and Ichikawa Hiroshi.). (shrink)

It is often said that ethical discussion on robots, robotics and HRI is poor in Japan. However, this is only a superficial response. Although topics such as “autonomy ” or “responsibility ” are not “hot” topics, Japan is a country where different views on robots are commonly accepted. These views are often based on cultural and social traditions. In this chapter, we focus on Japanese robots and their philosophical and ethical backgrounds, examining the discussions by the authors such as Nishida (...) Kitarō, Watsuji Tetsurō, Yuasa Yasuo and Ichikawa Hiroshi. In contrast to the Western views based on the separation of the subject and the object or the mind and the body, Japanese authors often talk about “oneness,” i.e. the undifferentiated situation of entities, things and humans in this world. We will try to see how we can understand Japanese robots, their kokoro 心 and their mi 身 by this kind of cultural, ethical and philosophical views based on the authentic state of oneness of the subject and the object, the humans and the rest of entities in the world. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Wonder, Imagination, and the Matter of Theatre in The TempestMary MooreAriel occurs. Recounting his performance of "the tempest" in Act I, scene 1 of The Tempest, he presents himself as being and action, fracturing grammar, spatial and temporal logic in ways that amaze and confound:I boarded the King's ship; now on the beak, Now in the waist, the deck, in every cabin, I flamed amazement. Sometime I'd divide, And (...) burn in many places; on the topmast, The yards, and bowsprit would I flame distinctly, Then meet and join...(1.2.195–201) 1"I flamed" means that Ariel emits or is flames, which in the normal order of things would consume him. His very narration, however, proves his survival, evoking wonder through the utterance itself. Forceful and compacted syntax, a recognized source of wonder in Classical and Renaissance accounts of style (Biester, pp. 14; 35–40), magnifies this effect. 2 Shakespeare's transitive use of the usually intransitive verb flame reflects a not uncommon practice, as E. A. Abbott shows; 3 but this syntactic device also reflects The Tempest's own logic. Ariel crosses boundaries between [End Page 496] deed and being, verb and noun, subject and object, matter and spirit: he both is and does flames. What could be more jarring to syntax and semantics than a singular subject whose utterance claims that he can flame, divide, meet and join? Just as "a" fire consists of many flames yet functions grammatically as a singular substance in English, just as the Christian Trinity is both singular and multiple, Ariel burns in many places at once. Meanwhile, this extraordinary language seems belied by the actor's very embodiment. Ariel cannot have done what he claims; yet the prior scene has represented the very storm in which Ariel flamed. In that sense, the actor's embodiment represents what we imagine to be matter's intractability, while Ariel's claims, coupled with the storm we have just witnessed, reveal matter's fluidity and permeability to imagination. Fluidity and intractability co-exist, another source of wonder. Sound mimics these paradoxes: the assonance and consonance in flame and amazement create a near rhyme that echoes the near identity of fire and human amazement. If, as Gurr and Ichikawa observe, a Renaissance audience expected to hear more than see a play, this echo calls attention to Ariel's marvelous powers. 4 Lest the noises and pleasures of the Renaissance theatre, which recent scholarship deems to be considerable, distract audience members from this bit of language, similar moments reinforce Ariel's play in and with language and matter throughout the play. Marvelous poetic language is of a piece with a "fever" that is of "the mind," with music that "creeps," actors who vanish, new found goddesses who speak the discoverers' own language.Amazement provides our cue: it and its cognates name the appropriate response to Ariel, his language, and to The Tempest itself. Attention to Ariel's poetic language reveals that it, like the plot, conforms to the marvels of the play and to the period's well documented love for marvels in several ways. Wonder, an aesthetic "'object of desire'" in itself, and a response to the inexplicable in classical and early modern views, may be evoked by the unexpected in style (and through other strategies that the era's handbooks taught). 5 The clause "I flamed amazement" epitomizes the unexpected in syntax as well as differing from one of the few sources found for The Tempest, William Strachey's 1610 letter, which describes just such a storm. 6 While St. Elmo's fire itself may elicit wonder, Shakespeare's syntax and diction reinforce that marvel. And no wonder: rhetoric and theatre alike depend upon audience attention, and wonders naturally evoke it. Jarring language also harmonizes with The Tempest's structural marvels—loose ends, disrupted actions, unforeseen futures—issues several critics explore. 7 [End Page 497]The wonders of The Tempest, however, also involve imagination—in early modern psychology, the human faculty that permits perception of the world and invention of images. 8 Wonder responds to how the perceived differs from the expected, how the imagined supplants the usual, how an... (shrink)

In this paper, I defend the view that any good account of the logical form of thought experiments should contain a conditional. Moreover, there are some reasons to think it should be a counterfactual conditional. First, I defend Williamson’s account of the logical form of thought experiments against a competing account offered by Ichikawa and Jarvis. The two accounts have a similar structure, but Williamson’s posits a counterfactual conditional where Ichikawa and Jarvis’ posits a strict conditional. Williamson’s motivation (...) is related to the problem of deviant realizations, and Ichikawa and Jarvis propose to take care of this problem by enriching the content of the thought experiment in the way we enrich the content of a text of fiction. However, this sort of enrichment is also compatible with Williamson’s account. I then consider a different view, defended by Malmgren, on which a complex possibility claim exhausts our reasoning on typical thought experiments. I argue that this account, leaving out a conditional, fails to represent an important part of our reasoning with thought experiments. This is brought out by reflection on the relationship between thought experiments and similar actual cases and by reflection on the requirement, formulated by Malmgren herself, that our reasoning should have an adequate level of generality. (shrink)

In this paper, I defend the view that any good account of the logical form of thought experiments should contain a conditional. Moreover, there are some reasons to think it should be a counterfactual conditional. First, I defend Williamson’s account of the logical form of thought experiments against a competing account offered by Ichikawa and Jarvis. The two accounts have a similar structure, but Williamson’s posits a counterfactual conditional where Ichikawa and Jarvis’ posits a strict conditional. Williamson’s motivation (...) is related to the problem of deviant realizations, and Ichikawa and Jarvis propose to take care of this problem by enriching the content of the thought experiment in the way we enrich the content of a text of fiction. However, this sort of enrichment is also compatible with Williamson’s account. I then consider a different view, defended by Malmgren, on which a complex possibility claim exhausts our reasoning on typical thought experiments. I argue that this account, leaving out a conditional, fails to represent an important part of our reasoning with thought experiments. This is brought out by reflection on the relationship between thought experiments and similar actual cases and by reflection on the requirement, formulated by Malmgren herself, that our reasoning should have an adequate level of generality. (shrink)

Op-ed on the role of schadenfreude in political propaganda. Co-authored with Kelsey Ichikawa.

In his Meditations On First Philosophy, Descartes points out the awakedreaming indistinguishability problem, which calls into question the reliability of our knowledge about the external world. The argument can be understood as follows: P1) Nothing can rule out the subject being duped into believing she is in X when she is actually in Y. P2) A person can know that she is in Y only if there is something to rule out her being duped into believing she is in X (...) when she is actually in Y. C) Hence, the subject cannot know that she is in Y. The problem can be interpreted in the form of A1 where X represents a dream state and Y represents an awake state. It can also be interpreted in the form of A2 where X represents an awake state and Y represents a dream state. I define the problem in the form of A1 and A2. The problem also involves an epistemological aspect and a phenomenological aspect. The epistemological aspect concerns the question of whether dream states and awake states are fundamentally indistinguishable. If so, the problem would be irresolvable in principle and result in a great epistemic threat. The phenomenological aspect concerns how the experience appears to the subject and affects the judgment she makes about her current state. In order to fully resolve the problem, as I will argue, we need to show that both A1 and A2 are unsound and resolve both aspects of the problem. McGinn, Ichikawa, and Sosa try to resolve the awakedreaming indistinguishability problem by defending the imagination view of dreaming. Among the three, Ichikawa holds the strongest version, where he denies that percepts and beliefs occur in dreams; McGinn denies percepts occur in dreams while Sosa denies beliefs occur in dreams. I argue that their arguments, namely drawing a sharp distinction between percepts and images along with denying beliefs occur in dreams, are misguided. They fail to resolve any form or any aspect of the indistinguishability problem. My goal of this research is to reinvigorate the imagination view of dreaming. Instead of holding a sharp distinction between percepts and images along with denying belief occur in dreams, I attempt to bridge the gap between lucid dreaming and non-lucid dreaming to defend this view. I contend that the imagination view of dreaming, upon modification, can resolve the problem. (shrink)