Abstract

This existential phenomenological exploration concerns how writing is not the mere tool for communication and commemoration, or the supplementary image of a memory, but is closely connected to the phenomenon of the grave. The exploration aims to show a transgenerational mode of human existence and moral life, by considering how the becoming of a historical, which is to say a transgenerational subject through the features that writing and the grave together lets us capture, is also importantly bound to the becoming of a moral subject, or an “I,” in relation to the passed away other.