Abstract

This work initiates a dialogue between pre-enlightenment mystic Julian of Norwich and post-modern philosopher Jean-Francois Lyotard. The first section of this paper gives an account of the post-modern subject for Lyotard and of how he renews the “unknown” and the “un-mastered,” in opposition to Kant’s autonomous subject. The second section shows the outer and inner strata of Julian’s treatise. The outer portion evidences the paradigm shift that places Julian’s reflections more prominently within Lyotard’s configuration of the sublime. The inner section examines the shifting emphases within Julian’s work between vision and speculation and the meaningful parallel this yields for the understanding of the sublime.