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  1. Philosophy of Communication Ethics: Alterity and the Other.Brenda Allen, Austin S. Babrow, Isaac E. Catt, Andreea Deciu Ritivoi, Gina Ercolini, Janie Harden Fritz, Pat Gehrke, John Hatch, Gerard A. Hauser, Alain Létourneau, Lisbeth Lipari, Annette Holba, Lester C. Olson & Lindsey M. Rose (eds.) - 2014 - Fairleigh Dickinson University Press.
    Philosophy of Communication Ethics is a unique and timely volume that creatively examines communication ethics, philosophy of communication, and "the other.".
     
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  2. Intimate Strangers: Arendt, Marcuse, Solzhenitsyn, and Said in American Political Discourse.Andreea Deciu Ritivoi - 2014 - Cambridge University Press.
    Hannah Arendt, Herbert Marcuse, Alexander Solzhenitsyn, and Edward Said each steered major intellectual and political schools of thought in American political discourse after World War II, yet none of them was American, which proved crucial to their ways of arguing and reasoning both in and out of the American context. In an effort to convince their audiences they were American enough, these thinkers deployed deft rhetorical strategies that made their cosmopolitanism feel acceptable, inspiring radical new approaches to longstanding problems in (...)
     
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  3. Yesterday's Self: Nostalgia and the Immigrant Identity.Andreea Deciu Ritivoi - 2002 - Rowman & Littlefield Publishers.
    In Yesterday's Self, Andreea Ritivoi explores the philosophical and historical dimensions of nostalgia in the lives of immigrants, forging a connection between current trends in the philosophy of identity and intercultural studies. The book considers such questions as, Does attachment to one's native culture preclude or merely influence adaptation into a new culture? Do we fashion our identity in interdependence with others, or do we shape it in a non-contingent frame? Is it possible to assimilate in an unfamiliar world without (...)
     
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  4.  16
    Interpretation and Transformation: Explorations in Art and the Self.Andreea Deciu Ritivoi - 2009 - Journal of Aesthetics and Art Criticism 67 (2):252-254.
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