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  1.  29
    “A Certain Light, But Only a Juridical Light”: The Legal Aesthetics of Thomas Bernhard's The Lime Works.Casey Servais - 2012 - Telos: Critical Theory of the Contemporary 2012 (159):105-119.
    ExcerptIGiven that law is a profession that consists almost entirely in the manipulation of language, and given that, for most lawyers, the profession consists even more in the manipulation of the written than of the spoken word, it is perhaps surprising that, at least in the German-speaking world, lawyers have a decidedly mixed, tending toward bad, reputation as prose stylists. In a 2010 book intended to provide remedial writing instruction to German lawyers, for example, lawyer and journalist Eva Engelken explains (...)
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  2.  9
    "A Certain Light, But Only a Juridical Light": The Legal Aesthetics of Thomas Bernhard's The Lime Works.C. Servais - 2012 - Télos 2012 (159):105-119.
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  3.  15
    Appartenance politique et appropriation identitaire : la question de l'esthétique.Christine Servais - 2006 - Semiotica 2006 (159):55-73.
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  4. Défigurer la littérature ou l'impossible témoignage.Christine Servais - 2009 - Cahiers Internationaux de Symbolisme.
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  5. La lettre d'amour: et la femme est jetée là où elle tombe.Christine Servais - 1990 - Cahiers Internationaux de Symbolisme 65.
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  6. Membership policy and identity appropriation: the question of aesthetics.Christine Servais - 2006 - Semiotica 159 (1-4):55-73.
     
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