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  1.  40
    Cecilia Sjöholm, Doing Aesthetics with Arendt: How to See Things.Elena Tavani - 2018 - Estetika 55 (1):122-131.
    A review of Cecilia Sjöholm‘s Doing Aesthetics with Arendt: How to See Things.
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  2.  7
    Theatricality in Installation Artworks: An Overview.Elena Tavani - 2019 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 12 (1):135-150.
    The article is an investigation into theatricality from various standpoints in order to focus on different views on theatricality considered as partially emancipated from theatre and to verify if and to what extent each of them can apply to installation artworks as environments and intermedial devices. Ultimately the article propounds the idea of a paradoxical anti-theatrical theatricality of installation art, grasped in its very connection to site-specificity, critically engaging Martin Heidegger’s insights regarding the «Gestell» and the «work-being» of the work (...)
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  3.  66
    Un Adorno di fine millennio.Elena Tavani - 1999 - Studi di Estetica 20:320.
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  4.  45
    L'esperienza estetica come esperienza di immagini. Walter Benjamin e Theodor W. Adorno.Elena Tavani - 2010 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 3 (2).
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  5.  8
    Theodor W. Adorno: la critica, la teoria, la tradizione.Elena Tavani - 2005 - Idee 58:153-176.
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  6.  5
    Il mondo e la sua ombra: estetica e ontologia in Hannah Arendt e Merleau-Ponty.Elena Tavani - 2013 - Chiasmi International 15:313-342.
    Starting from a specific critique of the traditional «metaphysical mistake», Hannah Arendt comes to supporta “phenomenalism” that is not only radical but also spectacular in the sense that it enhances, not appearances that would replace an unknown being or substance, but an appearing as a unique exhibition on the world stage in view of an opinion to communicate or an action to perform. Along this path, an encounter with Merleau-Ponty’s thought can occur at several levels. Specifically, the thesis of the (...)
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  7.  5
    Il Mondo E la Sua Ombra.Elena Tavani - 2013 - Chiasmi International 15:313-342.
    Starting from a specific critique of the traditional «metaphysical mistake» (to take apart being and appearing), Hannah Arendt points out the necessity to support a radical “phenomenalism”, which can be able to become politically relevant through 'spectacularity'. Far from the task of replacing an unknown being or substance, in Arendt's view all appearances are phenomena enhancing a singular exhibition on the 'world stage' in order to communicate an opinion or to perform deeds. Along this path, the encounter with Merleau-Ponty’s thought (...)
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  8. L'apparenza da Salvare Saggio Su Theodor W. Adorno.Elena Tavani - 1994
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