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  1.  9
    Philosophers and Thespians: Thinking Performance.Freddie Rokem - 2009 - Stanford University Press.
    This book investigates the discursive practices of philosophy and theater/performance on the basis of actual encounters between representatives of these two ...
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  2.  14
    Materializations of the Supernatural Deus Ex Machina and Plumpes Denken in Brecht and Benjamin.Freddie Rokem - 2014 - Paragrana: Internationale Zeitschrift für Historische Anthropologie 23 (1):71-87.
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  3.  12
    A Semiotic Definition of Scenography.Freddie Rokem - 1982 - Semiotics:449-458.
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  4. Exile, Nostalgia, and the Unheimlich : The Gesher Theater.Freddie Rokem - 2007 - In Vera Apfelthaler & Julia Köhne (eds.), Gendered Memories: Transgressions in German and Israeli Film and Theatre. Turia + Kant.
     
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  5. Philosophers and Thespians: Thinking Performance.Freddie Rokem - 2009 - Stanford University Press.
    The interaction between philosophy and theater or performance has recently become an important and innovative area of inquiry. _Philosophers and Thespians_ contributes to this emerging field by looking at four direct encounters between philosophers and thespians, beginning with Socrates, Agathon, and Aristophanes in Plato's _Symposium_ and ending with a discussion between Walter Benjamin and Bertolt Brecht about a short text by Franz Kafka. Rokem also examines in detail Hamlet's complex and tragic split identity as both philosopher and thespian, as well (...)
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  6.  10
    "The Death of the Apple, or Contradictions Between Visual and Verbal Elements in the Same Aesthetic Frame.Freddie Rokem - 1985 - Semiotics:139-148.
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  7.  31
    Witnessing Woyzeck: Theatricality and the Empowerment of the Spectator.Freddie Rokem - 2002 - Substance 31 (2/3):167.
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