In this article, I compare WANG Bi’s 王弼 rendition of Dao 道 as the nameless, unfathomable root of language and the totality of beings, with Derrida’s analysis of the term khōra. Both cases include a text that presents itself as a commentary on another text, namely the Laozi 老子 for Wang Bi and Plato’s Timaeus for Derrida, whose matter is declared as elusive and ungraspable. I analyze the analogies between these two attempts to convey the unsayable, as well as the (...) philosophical differences in highlighting the “ipseity,” or the “otherness,” of what resides beyond the edge of discourse. On the basis of my analysis, I claim that decisive parallelisms can be found in the homology between text and theme, in the linguistic strategies and common metaphors, whereas the main difference lies in the metaphysical background. Whereas the Dao presumes a harmonious ability for self-ordering, khōra is centered on the concept of absolute otherness, whose unsayability is that of an entity that is constantly removing itself from any determination and which properly consists in dispossessing itself. (shrink)

ABSTRACTThe ‘dream of the butterfly,’ which seals the second chapter of the Zhuangzi, is often interpreted as undergirded by the bipolarity of dreaming and awakening or by the elusive interchange of identities between Zhuangzi and the butterfly, dreamer and dreamed. In this paper I argue that the underlying structure of the story may be better interpreted as exhibiting not two, but three stages of development, consistently echoing other tripartite parables in the Zhuangzi. In my reinterpretation I rely on the phenomenology (...) of dreams proposed by the Spanish philosopher María Zambrano, which distinguishes among three states: the primal dream, characterized by atemporality and wholeness; wakefulness, characterized by temporality and analytic thinking; and the creative dream, in which reality discloses itself as a meaningful, holistic unity. I suggest that Zhuangzi’s parable describes a similar self-transformative threefold process culminating in the joyous freedom of a shifting multifaceted subjectivity centered in the timeless pivot of the Dao. (shrink)