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  1.  2
    The Movement and the Experience of "Iconic Presence". An Introduction.Hans Belting, Ivan Foletti & Martin F. Lešák - 2019 - Convivium 6 (1):11-15.
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  2. Bilderfragen: Die Bildwissenschaften Im Aufbruch.Hans Belting (ed.) - 2007 - Fink.
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  3.  60
    Image, Medium, Body: A New Approach to Iconology.Hans Belting - 2005 - Critical Inquiry 31 (2):302-319.
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  4.  3
    A Venetian Artist at the Ottoman Court. An Encounter of Two Worlds.Hans Belting - 2018 - Convivium 5 (2):14-31.
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  5.  11
    The End of the History of Art?David Carrier, Hans Belting & Christopher S. Wood - 1988 - History and Theory 27 (2):188.
  6.  9
    Peter Weibel, les “Télé-actions”.Hans Belting - 2005 - Multitudes 22 (3):159.
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  7.  4
    Image, Medium, Body: A New Approach to Iconology.Hans Belting - 2005 - Critical Inquiry 31 (2):302.
  8.  6
    Zwei Sehkulturen. Die arabische Wissenschaft und die Bildperspektive der Renaissance.Hans Belting - 2007 - In Fathi Triki, Jacques Poulain & Christoph Wulf (eds.), Die Künste Im Dialog der Kulturen: Europa Und Seine Muslimischen Nachbarn. Akademie Verlag. pp. 100-115.
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  9.  5
    Über Phantasie und Kunst.Hans Belting - 2001 - In StephanHG Hauser (ed.), Homo Pictor. De Gruyter. pp. 143-155.
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