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  1.  30
    The Two Aesthetics of Haut Mal.Pierre Chappuis & Inez Hedges - 1975 - Substance 4 (11/12):101.
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  2.  22
    Post-Face Translation/Transformation.Inez Hedges - 1977 - Substance 6 (16):172.
  3.  19
    Substitutionary Narration in the Cinema?Inez Hedges - 1974 - Substance 3 (9):45.
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  4.  9
    World cinema and cultural memory.Inez Hedges - 2015 - New York, NY: Palgrave-Macmillan.
    Cinema has long played a crucial role in the way that societies remember and represent themselves. In the last quarter century, film has been an important medium in the public debate around the memory of the Holocaust and of Hiroshima; of the Algerian war for independence and of the Spanish Civil War; of the Allende legacy in Chile, the utopian dreams of 1968, and the aborted project of the German Democratic Republic; in identity formation in Palestine and in the African (...)
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  5.  22
    "Sylvia Scarlett:" Hollywood Cinema Reread.Pascal Kane, Ann Mc Bride & Inez Hedges - 1974 - Substance 3 (9):35.
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  6.  24
    Breaking the Frame: Film Language and the Experience of Limits.T. Jefferson Kline & Inez Hedges - 1992 - Substance 21 (3):134.
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  7.  21
    The Writing Machine.Jean Paris & Inez Hedges - 1977 - Substance 6 (16):7.
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