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  1.  28
    «?Rait », signe d'utopie.Raymond Bellour - 2001 - Rue Descartes 34 (4):37.
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  2.  12
    Monstrous Criticism: Finding, Citing. Analyzing Film"Le Texte Introuvable." ["The Unattainable Text,"]. [REVIEW]Larry Crawford, Raymond Bellour & D. Matias - 1985 - Diacritics 15 (1):58.
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  3.  13
    Layers of Images.Raymond Bellour - 2017 - Critical Inquiry 43 (3):617-649.
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  4.  14
    On Fritz Lang.Raymond Bellour - 1974 - Substance 3 (9):25.
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  5.  6
    Art Resists, Even If It Is Not the Only Thing That Resists.Raymond Bellour - 2017 - Critical Inquiry 44 (1):40-53.
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  6.  8
    Analysis in Flames.Raymond Bellour - 1985 - Diacritics 15 (1):52.
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  7.  10
    Le regard, l'écoute.Raymond Bellour - 2006 - Multitudes 2 (2):131-137.
    Antoni Muntadas aims to intensify art, and intensify perception. This leads to a life and work « on translation », which circulate between languages, institutions, countries and cities, in a generalized whirlwind through the world.
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  8.  8
    Entretien Sur la Sémiologie du Cinéma.Raymond Bellour & Christian Metz - 1971 - Semiotica 4 (1):1-30.
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  9.  4
    Cinema And..Raymond Bellour - 1996 - Semiotica 112 (1-2):207-229.
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  10. Doublings. The Image of Thought: Art or Philosophy, or Beyond?Raymond Bellour - 2009 - In David Norman Rodowick (ed.), Afterimages of Gilles Deleuze's Film Philosophy. University of Minnesota Press.
     
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  11. Le Rêve de la Valeée des Reines.Raymond Bellour - 2005 - In Gilles Deleuze, André Bernold & Richard Pinhas (eds.), Deleuze Épars. Hermann.
     
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  12. Segmenting/Analyzing.Raymond Bellour - 1986 - In Philip Rosen (ed.), Narrative, Apparatus, Ideology: A Film Theory Reader. Columbia University Press. pp. 66--92.
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