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  1.  42
    A Broken Record: Subjecting ‘Music’ to Cultural Rights.Elizabeth Burns Coleman, Rosemary J. Coombe & Fiona MacArailt - 2009 - In James O. Young & Conrad G. Brunk (eds.), The Ethics of Cultural Appropriation. Oxford, UK: Wiley‐Blackwell. pp. 173–210.
    This chapter contains sections titled: Introduction Tradition and Modernity: Culture, Works and Others Record Collection and Salvage Paradigms Preserving Indigenous ‘Music’: Rights and Responsibilities The Harms of Appropriation Information Society Rights‐Based Arguments for Restitution and Limited Properties Repatriation and Recollection Conclusion Acknowledgments References.
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  2. The Demonic Place of the 'Not There': Trademark Rumors in the Postindustrial Imaginary.Rosemary J. Coombe - 1997 - In Akhil Gupta & James Ferguson (eds.), Culture, power, place: explorations in critical anthropology. Durham, N.C.: Duke University Press. pp. 249--76.
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  3.  49
    Tactics of Appropriation and the Politics of Recognition in Late Modern Democracies.Rosemary J. Coombe - 1993 - Political Theory 21 (3):411-433.
    Walking down the street in Toronto one day in 1987, pedestrians were surprised to see a message flashing across an electronic billboard. “Lesbians fly Air Canada” it repeatedly signaled. The next day the message was gone. A gay rights group broadcast the phrase, but their communication terminated abruptly when Air Canada threatened to apply for an injunction to stop the group from using its name.
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