To make sense of the material afterlives of animals, this book draws together multispecies perspectives from literary criticism and theory, cultural studies, anthropology and ethnography, photographic and film history, and contemporary art practice to offer the first synoptic account of animal remains.

Seeing Animals after Derrida marks a shift in studies of visuality in animal philosophy. Presenting an emergent set of questions for animal studies scholars, this volume intervenes in recent debates of the nonhuman turn that have been incited in the wake of a post-deconstructionist era.