Abstract

This is perhaps the richest book on emotions I have read. It is also a very frustrating book. It appears to be—and Elster more or less suggests this—a series of quite different kinds of essays, connected by somewhat confusing cross references and a general concern for the nature of emotions and their transformations. The first chapter is a position paper on explanation in the social sciences, a plea for “mechanisms” as opposed to law-like principles and straightforward causal accounts. The second chapter is an edifying romp through three very different periods and styles of writing about the emotions. Elster begins with Aristotle’s powerful theory of the emotions, in rich detail and with considerable sympathetic insight. The next section fast-forwards two thousand years and provides us with some of the most challenging remarks and aphorisms of the French moralists of the seventeenth century, Montaigne, Pascal, La Rochefoucault, and La Bruyére. Their wit and sometimes cynicism is delightful, particularly on the subject of hidden and hypocritical self-interest. In their often contradictory insights Elster finds apt examples of his emotional “mechanisms.” Finally, the chapter considers several of the great literary masters and their depiction of the emotions in action. Shakespeare, Jane Austen, and Stendhal are obvious choices. The discussions of Racine, De Lafayette, and George Eliot tend to be, like their work, a good bit more prosaic.