This essay presents what is at stake in Marcuse’s reference to Whitehead’s theory of eternal objects in chapter eight of One-Dimensional Man. There is a fecund philosophical affinity between Marcuse’s Critical Theory and Whitehead’s metaphysical alternative. The introduction parses Marcuse’s citation of Whitehead, explaining how the Critical Theory employs eternal objects. Thus a correlate aim of this essay is to provide a charitable reading of Marcuse with attention to Whiteheadian undercurrents and concerns.

The Western democracies of the twentieth century have witnessed an unprecedented upheaval in their popular cultures' normative behaviour concerning gender roles and sexual identities. Concurrently, there has been a marked proliferation in the nature and distribution of erotic images and material. From the statistics concerning divorce to the legal accommodation of same-sex relationships, evidence of the impact of this sexual revolution is manifold. Perhaps this profound shift is most clearly reflected in the entertainment and advertising industries. The sitcom, that most (...) quintessential format of American television, has gone from idealizing a `nuclear family' to a celebration of openly gay lifestyles. Images that only a few decades ago would have been considered pornographic now adorn bus shelters as racy advertisements. A nexus of events has contributed to this radical expansion of accepted behaviour, and multiple modes of evaluation are possible. This paper will examine a single mid-century articulation from this century of sexual revolution.In 1951, Herbert Marcuse began a series of lectures which would ultimately be published in 1955 as Eros and Civilization: A Philosophical Inquiry into Freud. By the 1970s, this text had become one of the most widely known and influential manifestos of the on-going sexual revolution. In more recent years, Marcuse's work has fallen into caricature. Nevertheless, fathoming Marcuse's views is important for three reasons. First, it is arguable that Marcuse's interpretation of Freud's notions of Eros and Thanatos is more widely known than Freud's own views. Second and more importantly, in successfully explaining the links between psychoanalysis, philosophy, economics, and politics, Marcuse laid the foundations for what by the end of the twentieth century had become the politics of sexuality and alternative lifestyles.Yet for Marcuse the revolution would not simply affect people's sexual norms. Revolutionary Eros would change the way they work and play. This is the third reason why Marcuse is still relevant. The obvious changes in societies' sexual norms can overshadow the more subtle changes in economic relations. Marcuse explicitly and consistently insists upon a direct and appreciable relation between individual erotic and the organization of labour. Thus Marcuse provides the criteria for a reflection upon the state of the `sexual revolution'. Middle-class morality has changed since Marcuse's call to revolution. But has the lot of workers undergone a similar transformation? To answer this question, we must first broadly investigate what it was that Marcuse meant by Eros and its relationship to civilization.Eros has been an important notion concerned with self-reflection since at least the institutional practice of initiation into the ancient mysteries. Plato brought the discussion of Eros into public, albeit not in the agora. Rather at an intimate gathering of philosophically minded friends the nature of Eros was famously discussed. But while Plato succeeded in making Eros a philosophical question, the notion itself exhibits a recalcitrant independence from any particular discourse. Its nature remains somewhat mysterious and thought provoking. Marcuse was aware of the long and diverse traditions surrounding Eros. His essay Eros and Civilization is written and reads as a philosophical inquiry into Freud and therefore the psychoanalytic meaning of Eros and its associated Freudian vocabulary is employed. But Marcuse's use of the term Eros is more philosophical than strictly psychoanalytic. Indeed, as we shall see when investigating Marcuse's presentation of Orphic mythology, Eros is a complex notion whose historical nuances stretch back before even philosophy. (shrink)