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  1.  13
    René Girard and Creative Mimesis.Pablo Bandera, Christina Biava, Robin Collins, Robert Doran, Joachim Duyndam, Patrick Imbert, André Lascaris, Richard McGuigan, Wolfgang Palaver, Andrew O'Shea, Nancy Popp, Petra Steinmair-Pösel, Martha Reineke & Francis Tobienne - 2013 - Lanham MD: Lexington Books.
    This book explores the nature and implications of positive, creative, and loving mimesis and brings together the interdisciplinary fields of Girardian studies and creativity studies in new and original ways. Scientists, philosophers, psychologists, theologians and ancient thinkers are brought into thought provoking and insightful dialogue with Girardian conceptions of mimetic desire, scapegoating, and hominization.
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  2.  7
    Aristotle's Metaphysics of Monsters and Why We Love Supernatural.Galen A. Foresman & Francis Tobienne - 2013-09-05 - In Supernatural and Philosophy. Wiley. pp. 16–25.
    This chapter focuses on four areas Aristotle considered when determining what something really was, namely, essence, predicates, judgments, and potentials. Understanding and employing these concepts in our own concept of monster will help us avoid our currently tainted love of Supernatural. According to Aristotle, there are essential and accidental aspects of being. In the simplest terms, the essential aspects are the things that could not change about something, while the accidental aspects are things that could change. Aristotle's third taxonomy of (...)
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  3.  5
    Wonder Woman Winning with Words.Francis Tobienne - 2017-03-29 - In Jacob M. Held (ed.), Wonder Woman and Philosophy. Wiley. pp. 133–140.
    Rhetoric is the power of persuasion, or influence, through words. And in many ways, comics exemplify, through their heroes and heroines, the power of rhetoric, of the written and spoken word to convince, persuade, and ultimately move people. Wonder Woman exemplifies wisdom, or sophia, and as an ambassador and an emissary her character not only demonstrates the value of wisdom, but actively disarms threats, promoting peace through discourse. Wonder Woman remains relevant in the twenty‐first century, holding her own against her (...)
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