As a way to gain insight into the phenomenon of religious faith, this essay classifies the Abraham story as a comedy, and contrasts it with the tragedy of Sophocles’s Oedipus. In keeping with the psychologist William James’s “Will to Believe,” faith is usefully conceived as itself an action, one on which actions in the world are predicated. Analyzed thus, the Abraham story patterns a “Jamesian commitment of the will to determined and determining action in an otherwise uncertain world.” The etymology (...) of Isaac, “laughter,” expresses the principle carrying Abraham through his tribulations; “at the very brink of tragedy, the surrogate ram affirms a comedy that can withstand any predicament. ‘Isaac’ lives.” Oedipus and Jocasta, however, meet tragedy in their effort to disbelieve. (shrink)

As a way to gain insight into the phenomenon of religious faith, this essay classifies the Abraham story as a comedy, and contrasts it with the tragedy of Sophocles’s Oedipus. In keeping with the psychologist William James’s “Will to Believe,” faith is usefully conceived as itself an action, one on which actions in the world are predicated. Analyzed thus, the Abraham story patterns a “Jamesian commitment of the will to determined and determining action in an otherwise uncertain world.” The etymology (...) of Isaac, “laughter,” expresses the principle carrying Abraham through his tribulations; “at the very brink of tragedy, the surrogate ram affirms a comedy that can withstand any predicament. ‘Isaac’ lives.” Oedipus and Jocasta, however, meet tragedy in their effort to disbelieve. (shrink)