The essay presents Giorgio Agamben’s theory of the paradigm in the first chapter of The Signature of All Things. On Method in order to better understand the well-known use of references to and qoutations from literature in philosophical reasoning and theory. Agamben’s uncommented reference to two short stanzas from Wallace Stevens’ poem “Description without Place”, which he consider the best definition of a paradigmatic ontology, is briefly commented. A gathering of three ‘literary singularities’ from Friedrich Hölderlin/Sophocles, James Joyce, and Samuel (...) Beckett in a suggested paradigm on time is presented as an example of a solely literary way of philosophical thinking. (shrink)

THE WORK OF ART AS COUNTER-VALUE: ASGER JORN'S CRITIQUE OF MARX'S ECONOMISK VALUE-THINKING IN CAPITALAs one of the rather significant and influential Modernist and Avant-garde artists of the 20th century Asger Jorn is internationally well-known and admired. Lesser known – or lesser accepted in the reception of his work – is the fact that his many critical writings on art, philosophy, and politics as well as his archives and political activism are integrated and important parts of his entire artwork. For (...) the first time in the reception of Jorn’s critical thinking the essay examines his Situationist criticism of Marx’ concepts of value, as outlined in the commodity analysis in Capital vol. 1, by regarding it a crucial example of his understanding of counter value as the only or most prominent quality of the artwork as such. (shrink)