The writing piece ‘Literal transitions’ proposes a literary answer to the question as to whether a potential transit from the word ‘organic’ to the word ‘digital’ exists. The piece as well as its creation process and the author’s comments on it will be described in the following. What can result from this experiment is a reflection of the language material itself, a certain degree of awareness of the implications of the traditional or unconscious constraints in language. Literal Transitions is not (...) an explanation, but an examination with artistic means. This examination is based on three assumptions: (1) the potential of literature unfolds when writing is constrained; (2) restrictions make the language’s silence speak and (3) we need fictions to build our world. (shrink)

What can writing, the literary perspective, contribute towards the academic discourse? How can literature describe or explore the world we experience? In this article I argue that the essential porousness, the cuts and in-betweens of the world that are embodied in the poetic writing (and reading as writing) process not only embrace the absence of an objective reality or truth but also the subjectivity, the ephemeral and the ineffable as a general (postmodern) condition.

This article explores the longing, the heterotopian structure of distance and proximity in literary writing. It proposes the two short stories The Red Notebook by Paul Auster and St. Martin by Lydia Davis as a starting point for the reflections on what is there and not there at the same time. The differences between the two narratives are discussed from a writer’s perspective, the distance and proximity is measured with literary means.