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  1.  6
    Baldine Saint Gironsová- znovuobjavenie estetického aktu.Róbert Karul - 2012 - Ostium 8 (3).
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  2.  6
    Ako nazerať na to, čo je vnímatelné? Hádes ako metafora zmyslového sveta U plotina.Róbert Karul - 2009 - Filozofia 64 (9).
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  3. Animal soul and human soul: Reading plotinus.Robert Karul - 2013 - Filozofia 68:91-99.
     
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  4. How to Conceive of the Perceivable? Hades as a Metaphor of the Sensible World.Robert Karul - 2009 - Filozofia 64 (9):894-902.
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  5. Jeden spôsob pasivity: Obraz u J.-L. Mariona.Róbert Karul - 2006 - Filozofia 61:667-671.
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  6. One way of being passive: Picture in J.-L. Marion.Robert Karul - 2006 - Filozofia 61 (8):667-671.
     
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  7.  14
    Tri metafory divadla v Plótinových rozpravách O prozreteľnosti.Róbert Karul - 2018 - Ostium 14 (1).
    The following essay deals with Plotinus’ metaphors of theatre in his work On Providence, which should clarify, what is and what should be the existence of man. The first metaphor presents the life of man through the image of an actor who understands that his role is not real. The other two metaphors reveal the fate of man as given, essential and not phantomic and, thus, appear to contradict the first one. The contradiction is only illusive, because each metaphor of (...)
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  8.  2
    Vnímanie a obrazotvornosť v piatej Prechádzke snívajúceho samotára.Róbert Karul - 2015 - Ostium 11 (4).
    Dans sa 5ème promenade, Rousseau relate ses expériences de la rêverie qui vont à contre-courant de la théorie de l’imagination poétique chez Bachelard. Celle-ci sépare rigoureusement l’imagination de la perception du monde, alors que Rousseau se dit incapable à distinguer, par moments, ses rêveries de la perception de la nature.
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