Abstract

Abstract:Contenders for serious, let alone worthwhile, philosophical works consisting entirely of jokes are hard to find. Tom Stoppard's comedy Dogg's Hamlet, built from the materials of Ludwig Wittgenstein's Philosophical Investigations, might be one. Wittgenstein could only use previously acquired language to argue that social performance is a necessary prerequisite for the process of learning that meaningful language in the first place. But Stoppard's audiences can experience the inadequacy of a static, constative theory of language; then they can self-consciously undergo a socialized process of meaningful language acquisition. And that new language allows new jokes; so: did Stoppard put the wit into Wittgenstein?